Coming to Paris, he was a student of Étienne Decroux and later became his assistant, participating in Decroux's teaching, research and creations.
Saint-Étienne | Étienne-Jules Marey | George-Étienne Cartier | Étienne Geoffroy Saint-Hilaire | Jean-Étienne Dominique Esquirol | Saint-Étienne-le-Laus | Saint-Étienne-du-Rouvray | Etienne Decroux | Étienne Serres | Étienne Maurice Falconet | Étienne Gilson | Étienne François, duc de Choiseul | Saint-Étienne-du-Mont | Saint-Étienne-de-Lugdarès | Saint-Étienne-de-Baïgorry | Saint-Etienne | Jean-Étienne Guettard | Jean Étienne Championnet | Giovanni Baleison, ''Cycle on the life of Saint Sebastian'', fresco, detail of main altar, St. Sebastian Church, Saint-Étienne-de-Tinée | François Étienne de Kellermann | Étienne Mulsant | Étienne Marcel | Étienne-Louis Malus | Étienne Louis Geoffroy | Étienne-Louis Boullée | Étienne Lenoir | Etienne Laspeyres | Étienne-Jean Delécluze | Étienne Guibourg | Étienne Dupérac |
It was founded in Paris by the last assistants of Etienne Decroux, Steven Wasson and Corinne Soum, who continue to teach and produce plays with their company, the Theatre de l'Ange Fou.
In 1958, he traveled to Paris, France, to study dance and drama at the Sorbonne, as well as to study mime with the French masters, Etienne Decroux, Jean-Louis Barrault, and Marcel Marceau.
The Theatre de l'Ange Fou and the International School of Corporeal Mime (formerly known as the Ecole de Mime Corporel Dramatique) were created in Paris in 1984 by Steven Wasson and Corinne Soum, the last assistants of Etienne Decroux, "the father of Modern Mime" , and relocated to London in 1995.