"A Little Bit Me, A Little Bit You" is a song by Neil Diamond that was released by The Monkees in 1967 (see 1967 in music).
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Early in 1967, the band recorded two songs for selection as their next single, "All of Your Toys" and a remake of "The Girl I Knew Somewhere", both with Micky Dolenz on lead vocals.
Albert Ayler In Greenwich Village is a 1967 (see 1967 in music) live album by free jazz saxophonist Albert Ayler.
Album 1700 is the seventh studio album by the American folk music trio Peter, Paul & Mary, released in 1967 (see 1967 in music).
Aldemaro Romero en Maracaibo is the name of a 33-RPM LP album by Venezuelan composer/arranger/conductor Aldemaro Romero, released in 1967 (see 1967 in music), along with the label Cymbal.
Billboard Top Country Hits: 1967 is a compilation album released by Rhino Records in 1990, featuring 10 hit country music recordings from 1967.
When Vee recorded "Come Back When You Grow Up" in 1967, he was joined by a band called "The Strangers".
Buffalo Springfield Again is the second album by Buffalo Springfield, released in October 1967.
Carryin' On with Johnny Cash and June Carter is the twenty-fifth album released by country musicians Johnny Cash and June Carter Cash in 1967 (see 1967 in music), on Columbia Records.
The Concierto Andaluz (Spanish: Andalusian concerto) is a 1967 work by the Spanish composer Joaquín Rodrigo for four guitars and orchestra.
CTI Records (Creed Taylor Incorporated) was a jazz record label founded in 1967 by producer/A&R manager Creed Taylor.
David Hemmings Happens is the debut studio folk-pop album by former British boy soprano and actor David Hemmings released in 1967 on MGM Records, and included 9 songs.
Gene Clark with the Gosdin Brothers is the debut solo album of Gene Clark, released in February 1967 on Columbia Records, catalogue CS 9418.
"Girl, You'll Be a Woman Soon" is a song written by Neil Diamond, whose recording of it on Bang Records reached #10 on the U.S. pop singles chart in 1967.
Gospel Music Workshop of America is an international music convention founded by Rev. James Cleveland along with Albertina Walker (Queen of Gospel Music) in 1967.
High Blues Pressure is the thirteenth album by trumpeter Freddie Hubbard recorded in 1967 in music and released in 1968 in music.
Up, Up and Away is the debut album by American pop group The 5th Dimension, released in 1967 (see 1967 in music).
It is a Holland–Dozier–Holland composition that was also covered by The Supremes for their album titled The Supremes Sing Holland–Dozier–Holland that was released in 1967 and also featured as the b-side to their single "In and Out of Love" that was released in the same year.
Beginning in 1967, albums by Mala recording artists were issued on the Bell label instead of Mala.
"Mother Popcorn" has a beat and structure similar to Brown's 1967 hit "Cold Sweat", but a faster tempo and a greater amount of rhythmic activity (including a lot of agitated 16th note movement from the horn section and the three guitars) give it a more frenetic quality than the earlier song.
The song has been noted by some to bear a striking similarity to The Velvet Underground song "I'm Waiting for the Man", which is featured on their 1967 debut album, The Velvet Underground and Nico.
Nice Girls Don't Stay for Breakfast was an LP album by Julie London, released by Liberty Records under catalog number LRP-3493 as a monophonic recording and catalog number LST-7493 in stereo in 1967.
Their 1967 breakthrough came with the song Regnets rytme.
"Real Rock" is a 1967 instrumental reggae song by Sound Dimension, one of the house bands of producer Coxsone Dodd's famous Studio One.
The Stoneman Family won the Country Music Academy’s "Vocal Group of the Year Award" in 1967.
Shout Records was a record label subsidiary of Bang Records, active between 1967 until 1972.
"Snoopy's Christmas" is a song performed by The Royal Guardsmen in 1967.
Steed Records was a record label founded by songwriter-record producer Jeff Barry in 1967 in New York City.
The success of the "She Loves You" single kept Swan going while other small record labels were snowed under by the British invasion, but it finally closed its doors in 1967.
"Tell It to the Rain" is a song composed by Mike Petrillo and Chubby Cifelli and popularized by The Four Seasons in 1966 and early 1967.
The song was initially released on the Saga Records album Sandy and Johnny in 1967.
The Hit Sounds of Simon and Garfunkel was a "Cash-In" Simon and Garfunkel album released in 1967 (see 1967 in music) by Pickwick Records.
In 1967 the Parliaments released "(I Wanna) Testify" on Revilot and finally achieved a hit single, with the song reaching #3 R&B and #20 Pop on the Billboard charts.
The Supremes Sing Holland–Dozier–Holland (issued internationally as The Supremes Sing Motown) is a 1967 album by The Supremes for Motown.
She later left the group because their sound was evolving into a harder psychedelic sound, joining another San Francisco group, the Mojo Men, for which she sang a very audible harmony vocal on their biggest selling single, the Stephen Stills-composed "Sit Down I Think I Love You" from 1967.
In the United States, the song was first released as the b-side to the "Purple Haze" single in June 1967 and later appeared on the August 1967 American version of the album Are You Experienced, where three tracks were deleted from the British LP version to make way for the band's three singles that had been issued in the United Kingdom.
"Watch the Flowers Grow" is a song composed by L. Russell Brown and Raymond Bloodworth and popularized by The Four Seasons in 1967.
(This plot device mirrors the Andrews Sisters' real life tragic dilemma of LaVerne Andrews death in 1967 which by default broke up their singing group.) By the addition of Mitzi to the group, they had their third singer and were on their way to the "big time".
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