The Academy Award for Best Visual Effects, which was called Best Special Effects from 1939 to 1963, and included both visual and sound effects from 1939 to 1962
He was nominated for an Academy Award for Best Special Effects for his work on the film One of Our Aircraft Is Missing.
He received an Oscar nomination in the category Best Special Effects for generating fake crowds to fill up the baseball stands in 1942's The Pride of the Yankees.
He won an Academy Award for Engineering Effects for the film Wings at the 1st Academy Awards.
He won two Academy Awards for Best Special Effects and was nominated for another one in the same category.
Emmy Award | Academy Awards | Grammy Award | United States Military Academy | Russian Academy of Sciences | Tony Award | National Academy of Sciences | American Academy of Arts and Sciences | Academy Award for Best Foreign Language Film | United States Naval Academy | United States Air Force Academy | Royal Academy of Music | National Book Award | Daytime Emmy Award | Academy of Motion Picture Arts and Sciences | Brooklyn Academy of Music | Phillips Academy | Juno Award | Royal Military Academy Sandhurst | Phillips Exeter Academy | Chinese Academy of Sciences | British Academy of Film and Television Arts | National Academy of Engineering | Obie Award | Golden Globe Award | Primetime Emmy Award | Pennsylvania Academy of the Fine Arts | Academy of Fine Arts | Visual impairment | Drama Desk Award |
Powell's film The Enemy Below (1957), based on the novel by Denys Rayner, won the Academy Award For Special Effects.
He was nominated for an Academy Award for Best Special Effects on the film Only Angels Have Wings at the 12th Academy Awards.
The film was nominated for the Academy Award for Best Special Effects (A. Arnold Gillespie, Douglas Shearer).
He was nominated for an Academy Award for Best Special Effects at the 17th Academy Awards for work on the film Secret Command.
He was nominated for an Academy Award for Best Special Effects on the film Women in War at the 13th Academy Awards.
Ralston has won five Academy Award for Best Visual Effects, including a Special Achievement Oscar for the visual effects in Star Wars Episode VI: Return of the Jedi, and regular awards for his work on Forrest Gump, Death Becomes Her, Who Framed Roger Rabbit and Cocoon.
He won five Academy Awards and was nominated for twelve more in the categories Best Sound Recording and Best Effects.
He was nominated for an Academy Award for Best Special Effects on the film The Long Voyage Home at the 13th Academy Awards.
The special effects by John P. Fulton, Bernard B. Brown and William Hedgcock received an Oscar nomination in the category Best Special Effects.
For his work on Gravity, he has been nominated for the BAFTA Award for Best Special Visual Effects at the 67th British Academy Film Awards, and an Academy Award for Best Visual Effects at the 86th Academy Awards.
It was nominated for an Academy Award for Best Visual Effects (Howard Lydecker, William Bradford, Ellis J. Thackery, Herbert Norsch).