Emmy Award | Academy Awards | Grammy Award | United States Military Academy | Russian Academy of Sciences | Tony Award | National Academy of Sciences | American Academy of Arts and Sciences | Academy Award for Best Foreign Language Film | United States Naval Academy | United States Air Force Academy | Royal Academy of Music | National Book Award | Daytime Emmy Award | Academy of Motion Picture Arts and Sciences | Brooklyn Academy of Music | Phillips Academy | Juno Award | Royal Military Academy Sandhurst | Phillips Exeter Academy | Chinese Academy of Sciences | British Academy of Film and Television Arts | National Academy of Engineering | Obie Award | Golden Globe Award | Primetime Emmy Award | Pennsylvania Academy of the Fine Arts | Academy of Fine Arts | Visual impairment | Drama Desk Award |
Although Gordy was released first, it was not very successful, while Babe was a box office hit, won several awards (including an Academy Award for Visual Effects) and spawned a sequel.
After co-supervising development for 3-D paint effect stylizations and LIDAR laser scanning for What Dreams May Come (1998 Visual Effects Oscar winner), Gaeta began his first solo effects supervision project for Larry and Andy Wachowski's film, The Matrix.
Knoll was also the Computer Graphics Project Designer on The Abyss, an achievement which earned ILM its tenth Academy Award for Visual Effects, and worked on two Star Trek episodes - Star Trek: The Next Generations pilot episode ("Encounter at Farpoint") and the Star Trek: Deep Space Nine episode "Explorers".
The film earned two Academy Award nominations, for Best Sound Recording, for Douglas Shearer, and for Best Visual Effects.
In 1979 Yeatman, Scott Squires, Rocco Gioffre, Fred Iguchi, Tom Hollister and Bob Hollister co-founded Dream Quest Images, a groundbreaking visual effects house, winning the Academy Award for Visual Effects in 1989 for the motion control and underwater effects in The Abyss.