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"Bata thought that a French accordion would sound great there. Our friend Mita, a folker, knew to play some French stuff on the accordion. Žika was singing on a partly fictional French ... Then I wrote new lyrics, and Bata and Žika agreed it should be followed by march. And it sounds great, a great act on the concerts. We played on some festival in Toulouse in 1985, and they thought it was interesting."