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He thus began an intensive study of African–American history while in prison, reading books such as The Autobiography of Malcolm X. He also devoured works by writers such as J. A. Rogers, Erich Fromm, Friedrich Engels, Karl Marx, and Vladimir Lenin.
During the next two decades, due in part to the success of the Convention Center and the other attractions, Oriole Park at Camden Yards, Sports Legends Museum at Camden Yards, M&T Bank Stadium, Power Plant Live!, and the Reginald F. Lewis Museum of Maryland African-American History, have joined the area, creating a ten-block plus entertainment and cultural destination at Baltimore's Inner Harbor, further increasing tourist dollars flowing into the region.
Aetna Inc.’s 2011 African American History Calendar features professor Willis as one of thirteen distinguished leaders of faith-based health initiatives in the United States.
Currently, her papers reside in the Vivian G. Harsh Research Collection of African-American History and Literature at the Chicago Public Library.
In 2009, along with partners J. Max Bond, Jr. (of Davis Brody Bond) and David Adjaye (of Adjaye Associates), Freelon was selected by unanimous decision to design the Smithsonian National Museum of African American History and Culture.
Gwendolyn Midlo Hall, historian, did extensive research over years in the courthouse, discovering important documentation of the slave trade that provided new understanding of African-American history in Louisiana, including the ethnic origin of many slaves in specific African cultures
The Gilded Six-Bits is a 1933 short story written by Zora Neale Hurston, who is considered one of the pre-eminent writers of 20th-century African-American history.
A Romare Bearden painting entitled The Piano Lesson inspired Wilson to write a play featuring a strong female character to confront African-American history, paralleling Troy in earlier Fences.
The final product was edited down from an initial cut of seventeen hours to two hours for the PBS show American Odyssey The final project, narrated by Sidney Poitier, sought to bring the name of Ralph Bunche back into the public lexicon as Greaves felt he was an important, yet forgotten, political figure, one important to African American history and the Civil Rights movement.