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Godse wrote on a wide range of subjects: historical figures including Shivaji, Mastani, and Ramdas; literature; plays; architecture; sculpture; and art, including Buddhist art.
The museum covers three floors which house a collection featuring Vietnamese art works in sculpture, oil, silk painting and lacquer painting, as well as traditional styles including woodcut paintings in the Hàng Trống, Đông Hồ, and Kim Hoàng styles, as well as Vietnamese ceramics and a collection of ancient Buddhist art.
Sadao Watanabe worked in the mingei (folk art) tradition, synthesizing Buddhist figure portrayal and Western Christianity in his unique Biblical prints.
Decorated stair risers were used extensively in the Greco-Buddhist art of Gandhara, to form the pedestal to small devotional stupas.
Much of the basis for the Buddhist artwork of the Dvaravati period was influence from Buddhist art in India, including the Amaravati and Gupta styles, although there was also local and Khmer influence.
Earliest examples of Buddhist art may be seen in accumulated splendor at the seventh century Horyuji temple in Nara, whose buildings themselves, set in a prescribed pattern with main hall, belfy, pagodas, and other buildings enclosed within an encircling roofed corridor, retain an aura of the ancient era, together with the countless art treasures preserved within their halls.