Harry Nilsson | Christine Keeler | Christine Gregoire | Christine Todd Whitman | Christine McVie | Birgit Nilsson | The New Adventures of Old Christine | Christine Milne | Christine Lavin | Christine Lagarde | Christine Tartaglione | Christine Sinclair | Christine Ockrent | Christine Ng | Christine Nesbitt | Christine Vachon | Christine Ohuruogu | Christine Goitschel | Christine de Pizan | Christine Comer | Christine Caine | Christine Buci-Glucksmann | Christine Bersola-Babao | Christine Angot | Christine | Lisa Nilsson | Inger Nilsson | Erik Nilsson | Elisabeth Christine of Brunswick-Wolfenbüttel | Christine Scanlan |
Besides the Pattis, he and his brother Max (born in Brunn, Moravia, 27 September 1835; died in New York City, 17 March 1892) worked as impresario with Teresa Parodi, Christine Nilsson, Marie Heilbronn, Euphrosyne Parepa-Rosa, Carlotta Patti, Karl Formes, Pasquale Brignoli, Italo Campanini, Pauline Lucca, Thérèse Tietjens, Louis M. Gottschalk, Marie Roze and Marietta Alboni.
He composed some incidental music for Hamlet (performed both in Paris and Nantes) but found little success with two operas produced at the Théâtre Lyrique: Sardanapale (based on Byron, with Christine Nilsson, 1867) and Les derniers jours de Pompéi (from a novel by Edward Bulwer-Lytton, 1869).