Conceptual art is often perceived as something pretentious and inaccessible, but Ondák gives anyone and everyone the chance to literally be recorded in a museum.
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In the 1970s and 80's, Annex published work of new music documentation, conceptual art and texts by French, Russian and American experimental writers: Bob Perelman, Blue Gene Tyranny, Ron Silliman, Rosmarie Waldrop, Alan Davies, Bruce Andrews, Anne Waldman, Alain Veinstein and Yuri Mamleyev, Daniil Kharms (Daniil Ivanovich Yuvachev), Anne-Marie Albiach, Ascher/Straus, Lynn Hejenian, John Latta, among them.
In 2001, conceptual artist Jeremy Deller organised a re-enactment of the event commissioned by British arts organisation Artangel and assisted by re-enactment logistics company EventPlan.
Cady Noland (born 1956 in Washington, DC.) is a postmodern conceptual sculptor and an internationally exhibited installation artist, whose work deals with the failed promise of the American Dream and the divide between fame and anonymity, among other themes.
The film tells the story of two middle-class collectors of contemporary art, Herbert and Dorothy Vogel, and the enormous and valuable collection of conceptual art and minimalist art they amassed in spite of their relatively meager salaries as New York City civil servants.
Juxtapoz launched with the mission of connecting modern genres like psychedelic and hot rod art, graffiti, street art, and illustration, to the context of broader more historically recognized genres of art like Pop, assemblage, old master painting, and conceptual art.
The 1973 book Variable Piece 4: Secrets by the conceptual artist Douglas Huebler (one of many works in his Variable Piece series) was a compilation of nearly 1800 secrets written down by random people.
Fitzherbert categorizes herself mainly as an abstract painter, but also claims influences from Conceptual art movements, Op art, Minimalism, Impressionism, and Light art.
- "The Real World: Artist Matthieu Laurette and the prolific curator, collector and dealer Seth Siegelaub discuss the legacy of Conceptual art, the origins of curating and how art history is made."
Known for their militant brand of political ambient music along with artist Terre Thaemlitz, Ultra-red are also part of a wave of young conceptual artists who combine participatory art with their own commitments to political organizing.
The last decade of the century saw a fusion of earlier ideas in work by Jeff Koons, who made large sculptures from kitsch subjects, and in the UK, the Young British Artists, where Conceptual Art, Dada and Pop Art ideas led to Damien Hirst's exhibition of a shark in formaldehyde in a vitrine.
Art in Ruins, based in Bloomsbury, London, utilizes 1960s conceptual art strategies popularized by Art & Language and Gilbert and George.
William Furlong was part of a generation of British artists of the 1960s-70s including Gilbert & George, Richard Hamilton, Bruce McLean or Paul Richards (whose Nice Style performance group was the first pose band) who were consciously moving from traditional art forms to conceptual art, performance, new media, cheap materials, in a dematerialized and process-oriented ethos.
Produced by Spacific Films and directed by award winning filmmaker, Leanne Pooley, the documentary tells the story of Billy Apple's life from his POP period through his involvement with the conceptual art movement in New York during the 1970s to his current "horticultural/art" Apple endeavors.
In 1969, he participated, with Joseph Kosuth, Robert Barry and Lawrence Weiner, in a landmark exhibition of conceptual art curated by Seth Siegelaub.
Continuing their alliance with NATOarts — an organization that "seeks to promote global security and stability through the exhibition of works of conceptual art" — the duo boarded a container ship named Trein Maersk in early 2000, spending two months on the ship during its journey from Japan to Canada recording an audio document promoting free international trade.
In 2006 he finished his first solo conceptual art piece, a garden of giant flowers that was acquired and installed by the city of Valencia for the America’s Cup of Sailing, and which continues to illuminate the City of Porcelain every night.
It holds more closely to the D7 battlecruiser hull markings and is also loosely based upon the conceptual art of Matt Jeffries, TOS set designer.
A profile of the artist known as Billy Apple who was at the forefront of both the POP and Conceptual art movements and who alongside the likes of Andy Warhol helped to redefine the meaning of the word artist.
Their work is featured in Art After Conceptual Art published by MIT Press.
The Museum of Conceptual Art was founded in the 1970 by Tom Marioni, describing it as a "social artwork".
The viewpoint is that of an anonymous man watching a work of conceptual art (24 Hour Psycho) that involves Psycho slowed down, broken down so that it takes 24 hours to play.