X-Nico

5 unusual facts about Criminal Justice and Public Order Act 1994


R v. Fellows; R v. Arnold

R v. Fellows; R v. Arnold 1997 1 Cr App R 244; 1997 2 All E.R. 548, is a prominent English case on the statutory interpretation of section 1 of the Protection of Children Act 1978, and the Obscene Publications Act 1959, the definitions have since been amended by the Criminal Justice and Public Order Act 1994.

Snivilisation

The band released the album at the time of the launch of the Criminal Justice Act, the legislation that gave British Police greater legal powers to break up unlicensed raves that gave Orbital its name.

Spiral Tribe

Regarding Castlemorton, Nigel South states that "the adverse publicity attending the event laid the groundwork for the Criminal Justice Act 1994".

The DiY Sound System

This became more marked around the time of the Criminal Justice and Public Order Act 1994, with DiY playing a key role in the largest illegal rave ever put on at Castlemorton Common Festival prior to the Bill and a constant stream of illegal, outdoor parties (often at travellers' sites, quarries and disused airfields) all over the country.

Weak Become Heroes

Skinner also makes reference to the Criminal Justice and Public Order Act 1994, an act which was seen as curtailing the rights of people to host raves.


Harassment

In the UK, there are a number of laws protecting people from harassment, including the Protection from Harassment Act 1997 and the Criminal Justice and Public Order Act 1994

Public nuisance

Thus, for example, s1 Protection from Harassment Act 1997 would now be used in cases involving multiple telephone calls, and s63 Criminal Justice and Public Order Act 1994 confers powers on the police to remove persons attending or preparing for a rave "at which amplified music is played during the night (with or without intermissions) and is such as, by reason of its loudness and duration and the time at which it is played, is likely to cause serious distress to the inhabitants of the locality".

Stacked Up

The political background in Britain, and the impending passing of the Criminal Justice Act into statute paved the way for a series of politically influenced artists such as The Levellers, The Prodigy, Dreadzone, and Pop Will Eat Itself, and Senser fit into that group with a blend of aggressive hip-hop, thrash metal and psychedelic ambience.


see also