Argentina | Argentina national football team | Mendoza, Argentina | Córdoba, Argentina | culture | Culture | popular culture | Santa Fe, Argentina | Culture of Japan | Steinhardt School of Culture, Education, and Human Development | President of Argentina | Argentina national rugby union team | San Luis, Argentina | Córdoba Province (Argentina) | Western culture | San Juan, Argentina | Polynesian culture | Culture Club | Córdoba Province, Argentina | European Capital of Culture | Chinese culture | Department for Culture, Media and Sport | La Rioja Province (Argentina) | Cinema of Argentina | Asian culture | The Culture Show | Palace of Culture and Science | La Tène culture | Secretary of State for Culture, Media and Sport | Ministry of Education, Culture, Sports, Science and Technology |
He emigrated to Buenos Aires in 1915 and quickly gained prominence in the vibrant local theatre scene, and became an early cinematographer and actor in the Argentine cinema, appearing in a 1917 comedy, Carlitos en Mar del Plata.
Argentine elites diminished the Spanish culture from their culture in the newly independent country and created Argentine culture.
Siro was also sctive in the theatre, playing over 60 roles in his career, notably in Leo Tolstoi's Anna Karenina, Jean-Paul Sartre's The Respectful Prostitute, Tennessee Williams' A Streetcar Named Desire, Arthur Miller's A View From the Bridge, and Ken Ludwig's Lend Me a Tenor.
Continuing to live and work in Argentina, he starred in Betty Kaplan's adaptation of Chilean writer Isabel Allende's Of Love and Shadows (1995), and to his film credits were added those in the local theatre, notably his work in a local, 1996-98 production of Samuel Beckett's Waiting for Godot (directed by his wife).