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Studying at the Slade School of Fine Art between 1910 and 1912 with Isaac Rosenberg and David Bomberg, she soon became the only female member of their 'Whitechapel Boys' circle of artists and poets, and was the only female exhibitor at the 1914 post-Impressionist exhibition "Twentieth Century Art: A Review of Modern Movements" at the Whitechapel Art Gallery in which this circle played a major part.