David Teniers the Younger (1610–1690), the most famous of the three, especially noted for genre scenes of peasant life
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Next came Joseph Hendrik Beschey, who was born at Antwerp in 1714; and lastly, Jan François Beschey, who was born in 1717, at Antwerp, where he established himself as a picture dealer, and became celebrated for the copies he made of the works of Rubens, Van Dyck, Teniers, Pijnacker, Moucheron, and other great masters.
Later in the century, David Teniers the Younger, working in the capacity of court painter to Archduke Leopold Wilhelm of Austria, documented the archduke's collection of Italian paintings in Brussels as gallery painters as well as in a printed catalogue–the Theatrum Pictorium.
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Rubens owned more works by him at the time of his death than any other painter, and artists such as David Teniers the Younger, Jan van de Venne, Joos van Craesbeeck and David Ryckaert III continued to work in a similar manner.
He also invented or popularized several new themes that became popular in Flemish painting, such as genre scenes populated by monkeys (later followed by Jan van Kessel and David Teniers the Younger) and Kunstkamer or gallery paintings displaying a wealth of natural and artistic treasures against a neutral wall.