Dimitri Mitropoulos | Dimitri Kitsikis | Michel-Dimitri Calvocoressi | Dimitri Mascarenhas | Prince Dimitri Romanov | Dimitri Voudouris | Dimitri Vegas & Like Mike | Dimitri Tsafendas | Dimitri Soudas | Dimitri Sartison | Dimitri Reinderman | Dimitri Leonidas | Dimitri Kirilov | Dimitri Kipiani | Dimitri Ivanovich Dolgorukov | Dimitri Gvindadze | Dimitri from Paris | Dimitri De Fauw | Dimitri Coats | Dimitri Bertsekas |
He entered the motion picture soundtrack industry by becoming an uncredited orchestrator for Dimitri Tiomkin's The Alamo and composed his first score the following year Love in a Goldfish Bowl.
Only three tracks of the album had not their melody composed by Legião Urbana: "Schubert Ländler" (a cover of a Franz Schubert piece), "High Noon (Do Not Forsake Me)" (an instrumental cover of Ned Washington's and Dimitri Tiomkin's "The Ballad of High Noon") and "Travessia do Eixão".
The film was scored by Dimitri Tiomkin, his first collaboration with Hitchcock (the others being Strangers on a Train, I Confess and Dial M for Murder).