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Although Adrian says he makes lots of different music styles, he focuses mainly on Celtic music, Emotional, Relaxing, Dark Alternative music, World music, Metal music, and on Film Music, according to his Facebook fanpage.
Growing up in Adelaide, Speed graduated with an honours degree in Music Technology from the Elder Conservatorium of Music at Adelaide University and has a Masters Degree in Screen Composing from the Australian Film Television and Radio School (AFTRS) in Sydney.
In the late 1960s he worked for Harold Shampan at Film Music (part of Top Rank) and as freelance producer (inspired by Meek) for The Pretty Things, The Zephyrs, The Nocturnes etc.
Hodge cultivated his writing skills for extended music scoring and film music while understudying with Grammy-nominated composer Terence Blanchard, where he also received on the job training while working as an instrumentalist on many of Blanchard’s films including She Hate Me, Waist Deep, and Inside Man.
As a music composer he composed music for all sizes of orchestras and also created theatre and film music.
The programme regularly features many types of music from classical music, light music, film music, theatre music, songs from the musicals, opera and operetta.
Maurice Jaubert (born Nice 3 January 1900 - wounded in combat at Azerailles near Baccarat, where he died 19 June 1940) was a French composer of incidental music for stage and film music, famous for his collaborations with the masters of poetic realism Jean Vigo, René Clair, Julien Duvivier and Marcel Carné.
Rasheed Attre (1919 – December 18, 1967) was a Pakistani film music composer.
Parallel to his activity as a classic musician, and as his interest for film music grew stronger, he spent four years studying under film music composers of Spain, such as Antón García Abril, Carmelo Bernaola and José Nieto.
De la Parra has presented more than twenty world premieres by composers not involved in the contemporary avant-garde, but in popular, easy to understand modern and film music, including Enrico Chapela, Paul Brantley, Paul Desenne, Eugenio Toussaint, Ernesto Villa-Lobos.
Jaikishan, of most successful Hindi film music director duo Shankar Jaikishan was born and brought up here.
Gilonis has also worked as a producer, sound engineer and/or musician with (among others): Robert Wyatt, News from Babel (Chris Cutler, Lindsay Cooper, Zeena Parkins, Dagmar Krause), David Thomas, Peter Blegvad, Ut, Lindsay Cooper Film Music Group, Hail and The Hat Shoes (with Catherine Jauniaux, Tom Cora, Charles Hayward, and others).
The film music was composed by R. Goverdhanam and lyrics were written by Kosaraju Raghavaiah.
Famous film music composer Gustavo Santaolalla, composer for several popular films (including Babel, 21 Grams & The Motorcycle Diaries) makes extensive use of the Charango and Ronroco in many of his compositions.
Darko Rundek has written and produced much film music, and has occasionally appeared as an actor (Doctor Kljaić in A View from Eiffel Tower, by N. Vukčević; Karlo in 100 minuta Slave, by D. Matanić; Youngster in The Eagle (Orao), by Z. Tadić, Marjan film).
Outside of popular music, Baerwald has worked extensively as both a songwriter and instrumental score composer in film and television, including the Golden Globe-nominated song from the Baz Luhrman musical Moulin Rouge! called "Come What May", for which he also won the International Film Music Award, and which has been covered by a wide variety of international artists.
As a film music editor he has worked with several composers, including Rachel Portman, Michel LeGrand and Howard Shore.
In fall 2009, he conducted the Tonhalle-Orchester Zürich for an elaborate soundtrack, together with composer Diego Baldenweg and music producer Lionel Vincent Baldenweg, for the feature film 180° - AMOK (Source: Werbewoche), which was awarded "best film music 2010" at the Locarno International Film Festival.
The group not only provided the film music: Moritz R was partly responsible for the film's surrealistic scenic design, which resembled The Cabinet of Dr. Caligari-like German expressionism, whilst Frank Fenstermacher played a small role as an actor.
In 2011, Jason Swincoe invited him to continue his collaboration with The Cinematic Orchestra by asking him to compose film music (with Tom Chant) for two avant-garde shorts by Peter Tscherkassky, "Outer Space" and "Dream Work," for the Cinematic Orchestra's "In Motion" series in which musicians are asked to compose original scores for classic short films.
With the very successful Nino Rota/Fellini album (Deux Z/Harmonia Mundi, 1995), acclaimed arrangement and composition work done around Nino Rota's film music, he explored a more European and typically Mediterranean idiom, while keeping a lot of improvisation.
These experiments were represented most prominently in the guitar playing of East Bay Ray, who took cues from sources such as film music (spy movie scores and Ennio Morricone spaghetti western scores), instrumental surf rock (the guitar stylings of Dick Dale and George Tomsco of The Fireballs), as well as the psychedelic music of the 60s (especially early Pink Floyd) with his trademark echo effects.
He also composes incidental and film music and has produced scores for several full-length feature films (e.g. the German horror comedy Killer Condom) and television series.
ESA offers artistic programs for students who successfully complete the audition process in the major of their choice, namely Drama, Dance, Visual Arts, Film, Music (Band or Strings), and Musical Theatre.
Successful concerts also include tours to England and the USA, where it performed Jan Klusák’s film music from Erotikon, a 1929 film, directed by Czech film director Gustav Machatý.
Georges Van Parys (born Paris, 7 June 1902 – died there 27 January 1971) was a French composer of film music and operettas.
Jolly Fellows (Весёлые ребята), film music (1934), including "Serdtse"
Another chance meeting with film music composer Michael Kamen led to Carroll being asked to play accordion on a movie called Don Juan DeMarco, featuring Marlon Brando and Johnny Depp.
Addison's collection of correspondence, scores, and studio recordings were donated to the Film Music Archives at Brigham Young University in 1994.
John D. H. Greenwood (1889–1975), English composer of classical and film music
A house in Sirukoodalpatti is now a memorial for the Tamil film music's evergreen favourites.
In 2009, he won the Jameson Film Music Award at the Stockholm International Film Festival for the score to the animated feature film Metropia (directed by Tarik Saleh) and that same year, he did co-vocals on the song "Departer" on the album Night Is the New Day by Katatonia.
The techno score was produced and composed by Convertino, and orchestrated with sound design by Film Composer and Film Music Producer Robert Muzingo.
Billboard called the song's usage in Great Expectations an example of film music that "works", citing its "anguished" lyrics as complementary to Ethan Hawke's character's predicaments, and comparing de Maré's voice to those of Roberta Flack and Billie Holiday.
Maghizhini, a shy singer, who never thought that she would make it this big in the film music industry, says it was the young music director, D. Imman, who had encouraged her a lot.
Tune and lyrics of a very popular Hindi song 'Rang Barse Bhige Chunar wali, rang barse'(movie: Silsila (film), Music:Shiv-Hari, Lyrics:Harivansh Rai Bachchan ) which is generally played on Holi in urban areas of northern India, are taken from a folk bhajan.
In the early 1930s, Braham turned to film music, working as musical director at Wembley Studios and writing music for such films as Money for Speed (1933).
He polished his composing skills under Karlheinz Stockhausen during master courses in Kuerten, near Cologne (1998–2002), as well as Elżbieta Sikora and Alain Savouret (International Course For Composers, Gdańsk 2000) Since the academic year 2006/2007 he has been giving lectures on film music at the Institute of Audiovisual Arts at the Jagiellonian University in Kraków, and since 2010 also at the Academy of Music in Bydgoszcz.
Webb has hundreds of film music credits to his name, mainly with RKO Pictures.
Avsenik graduated from the Academy of Music and Dramatic Arts in Graz in jazz piano, in 1981, and film music composition at Berklee College of Music in Boston in 1985.
They were used in the musical sound tracks of films such as Once Were Warriors and award winning, Whale Rider and are becoming more widely used in television and film music to produce authentic natural sounds rather than artificially generated sounds.
The music is similar to that of Stars of the Lid: long, droning, and ambient soundscapes, and reminiscent of the film music of Zbigniew Preisner and Georges Delerue.
He appeared on stage with the band at the Amougies Festival in Mont-de-l'Enclus, Belgium, October 1969, where they were recorded playing two compositions in the film "Music Power".
Vasant Desai (1912–1975) was an Indian film music composer, most remembered for his score in V. Shantaram film, like Do Aankhen Barah Haath (1953), Jhanak Jhanak Payal Baaje (1955), Vijay Bhatt's Goonj Uthi Shehnai (1959), Sampoorna Ramayan (1961), Hrishikesh Mukherjee's Guddi (1971) and Aashirwaad.
His son was the film producer Antony Darnborough (1913–2000) and his daughter, the ballerina Hermione Darnborough (1915–2010), married the distinguished composer and director of film music, Muir Mathieson.
After an encounter with Maurice Blackburn, Daoust entered a training program in film music techniques at the National Film Board of Canada (NFB).
Zygmunt Wiehler (10 February 1890, Kraków, Austria-Hungary –26 December 1977, Warsaw) was a Polish popular and film music composer and director.