The unique perspective of each image is obtained by his choice of lens, aperture, ISO and composition whilst preserving the integrity of the original image.
Technically, half the photographers were working with 8″×10″ (20 cm × 25 cm) large format view cameras; those who were not were using either square medium format (Deal, Gohlke), or in the case of Lewis Baltz 35 mm Technical Pan, a slow and high-definition Kodak film that the photographer printed on 8″x10″ paper.
film | drama film | silent film | film director | Sundance Film Festival | short film | horror film | Film director | Documentary film | Cannes Film Festival | Academy Award for Best Foreign Language Film | musical film | film adaptation | independent film | action film | Toronto International Film Festival | National Film Board of Canada | television film | film producer | Venice Film Festival | Titanic (1997 film) | British Film Institute | Tribeca Film Festival | Jurassic Park (film) | Gone with the Wind (film) | Film producer | British Academy of Film and Television Arts | 2004 in film | The Wizard of Oz (1939 film) | cult film |
In 1888, Ferdinand Hurter and Vero Charles Driffield patented a device for estimating the actinic power of sunlight and for computing exposure times and apertures for cameras, based on the plate speed, time of day, time of year, and latitude.
The films' advertisements that appear in The Moving Picture World magazine note the use of comic special effects with stop action and film speed experimentation.