Théâtre Lyrique | Carmen Martín Gaite | Théâtre de la Gaîté (rue Papin) | Théâtre de la Gaîté |
In 1858 Deloffre went to give concerts in Madrid with other artists from the Théâtre-Lyrique and Opéra-Comique following the French victory in the Battle of Solferino.
She made her debut at the Festival International d'Art Lyrique at Aix-en-Provence in July 2005 in the role of Servilia in a new production of La clemenza di Tito.
Horatius Coclès is an opera in one act and nine scenes (styled an acte lyrique) by the French composer Étienne Nicolas Méhul with a libretto by Antoine-Vincent Arnault.
Orphée mimodrame lyrique, Opéra Garnier, June 1936 Based on his own libretto, closely following the Greek myth.
The MCO has stable residencies in Ferrara (Ferrara Musica, honorary president: Claudio Abbado), Aix-en-Provence (Festival international d'art lyrique d'Aix-en-Provence), Toblach (Gustav Mahler Musikwochen), Lucerne (Lucerne Festival), Salzburg (Mozartwochen) and Landshut.
While teaching full-time, he had “Offrande Lyrique” (Lyrical offering) for violin and orchestra played in concert at the Salle Gaveau in Paris in 1984 by l'Ensemble Orchestral de Paris (The Paris orchestral group) conducted by Jean-Pierre Wallez with Gaëtane Prouvost as a solo violin.
After singing Constance in The Abduction from the Seraglio in Cannes under Reynaldo Hahn, and the three heroines (Olympia, Giulietta, Antonia) in Les contes d'Hoffmann in Strasbourg, opposite the great French bass-baritone Vanni Marcoux, she made her Paris debut at the Gaîté-Lyrique in 1943, as Lakmé, and the following year, made her debut at the Opéra-Comique, in the same role.
La Gaîté Lyrique, a modern arts centre in Paris, opened in 2010, that incorporates parts of the old Théâtre de la Gaîté on rue Papin.
Her husband was François Wartel, and their son Émile performed for many years at the Théâtre-Lyrique, and also established a vocal school of his own.