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After 20 years of isolated development and unrecognised innovation, Kemp came to prominence in the 1950s as the leader of a small Melbourne-based avant-garde of Geometric Abstractionists, including Leonard French, George Johnson, Inge King and Leonard Crawford.
Along with contemporaries Pierre Clerk and Ilya Bolotowsky, Hudson works within a small set of artist working within the Neo-Plastic style - not adhering to strict rules, but exploring the depth and future of geometric abstract art.