The production design by Jennifer Kernke and palette of colors used throughout the film were inspired by paintings created by the Glasgow Boys and Glasgow Girls, Glasgow School collectives whose artwork featured prosaic scenes of the Scottish countryside.
The Scottish artist James Paterson, a founder member of 'The Glasgow Boys', settled in Moniaive in 1884 and stayed for 22 years.
Thomas Corsan Morton (1859–1928) was a Scottish artist, known as one of the Glasgow Boys.
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Emily Murray Paterson, R.S.W., S.W.A (1855–1934) was a Scottish artist, connected with the Glasgow School and member of the Society of Women Artists.
Mackintosh met fellow artist Margaret MacDonald at the Glasgow School of Art and they became members of a collaborative group known as “The Four”.
Francis Henry Newbery (1855–1946), or Fra Newbery, painter and director of the Glasgow School of Art, 1885–1917
In the central panel is a picture by Maurice Greiffenhagen (a friend and colleague of Anning Bell at the Glasgow School of Art, and a fellow Royal Academician) of St John holding a chalice from which is emerging a serpent.
Thomas Corsan Morton (1859–1928), Scottish artist of the Glasgow School