With that maestro, she recorded Le nozze di Figaro (1978), Lohengrin (opposite René Kollo and Dunja Vejzovic, 1976-81) and Der Rosenkavalier (with Agnes Baltsa and Janet Perry, 1982).
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In Berlin she continued to expand her repertoire with leading roles in Mozart's The Marriage of Figaro and Così fan tutte, Verdi's Aida, Puccini's Tosca, Tchaikovsky's Eugene Onegin, Wagner's Tannhäuser and Lohengrin, and Strauss's Ariadne auf Naxos and Der Rosenkavalier.
In 1904 he provided pre-opera lectures for Charles Manners' (1857–1938) Moody-Manners touring company (the larger) for its performances at Theater Royal, Drury Lane lecturing on Charles Gounod's Faust and Fromental Halévy's La Juive, and Richard Wagner's Tristan und Isolde and Lohengrin.
After her international successes, she sang three lyric Wagner roles at the Netherlands Opera: Eva in Die Meistersinger von Nürnberg (2000), Elsa in Lohengrin (2002), and Sieglinde in Die Walküre (2004).
She sang all of the major Italian mezzo-soprano roles, but also tackled Wagner's Ortrud (Lohengrin) and Brangäne (Tristan und Isolde), and Saint-Saëns's Dalila (Samson et Dalila) conducted by Victor de Sabata.
Appearances outside Sweden included Bayreuth (Kurwenal in Tristan und Isolde, Herald in Lohengrin and Donner in Rheingold), the Edinburgh Festival in 1959 and 1974), Savonlinna in 1989 (Henrik in Singoalla by Gunnar de Frumerie), Hamburg, the Royal Opera House Covent Garden (1960, 1981), Montreal (1967), Moscow, Munich and Oslo.
His notebooks from this period show that, among others, Schumann considered the stories of the Nibelungen, Lohengrin and Till Eulenspiegel to be good candidates for settings in German opera.
His performances included such roles as Turiddu, the Assad in Karl Goldmark's Die Königin von Saba, and the title role in Wagner's Lohengrin among others.
She is noted for her performance of Elsa in Wagner's Lohengrin, the title role in Strauss's Arabella, Ellen Orford in Britten's Peter Grimes, and the Governess in Britten's The Turn of the Screw.
offers a biographical tour through his career and his spiritual leanings in music, tracing his awakening to music, his interest in the Cremonese violin makers and in Paganini, an exposition of The Ring of the Nibelungen, Parsifal, Lohengrin and Tannhäuser, and anecdotes of his meetings with Richard Wagner and Franz Liszt.
He then became a member of the Opéra National de Lyon where he had major success in the operas of Richard Wagner; especially the parts of Friedrich of Telramund in Lohengrin and Wolfram von Eschenbach in Tannhäuser.
His recordings include Die Meistersinger (with Claire Watson, 1963), Die Frau ohne Schatten (1963), Siegfried (conducted by Herbert von Karajan, 1968–69), Ariadne auf Naxos (conducted by Karl Böhm, 1969) and, from Bayreuth, Parsifal (with Irene Dalis as Kundry, led by Hans Knappertsbusch, 1962) and Lohengrin (with Anja Silja and Astrid Varnay, 1962).
He appeared annually at Met for the next six years, singing such roles as Aegisth in Elektra, Loge in Das Rheingold, Pinkerton, Tristan, Walther von Stolzing, and the title role in Lohengrin.
In 1892, Nellie Melba was performing in Wagner's opera Lohengrin at Covent Garden.
From Bayreuth, Hofmann appeared as Siegmund in the 1980 Die Walküre (with Dame Gwyneth Jones as Brünnhilde) conducted by Pierre Boulez, in Patrice Chéreau's 1976 Ring production (Deutsche Grammophon), and in the title role of the 1982 Lohengrin (opposite Karan Armstrong as Elsa) conducted by Woldemar Nelsson (EuroArts), in Götz Friedrich's production.
After Lohengrin, Konwitschny returned to Hamburg to cooperate with the conductor Ingo Metzmacher on Alban Berg's Lulu, Richard Wagner's Die Meistersinger von Nürnberg, and Arnold Schoenberg's Moses und Aron.
He made his debut with the company on November 29, 1961 as one of the noblemen in Richard Wagner's Lohengrin with Sándor Kónya in the title role, Ingrid Bjoner as Elsa, Margaret Harshaw as Ortrud, Randolph Symonette as Telramund, Jerome Hines as King Heinrich, and Joseph Rosenstock conducting.
His first Wagnerian tenor roles (Lohengrin and Siegfried) followed in 1937, along with Lemminkäinen in the premiere of Lars-Erik Larsson's The Princess of Cyprus the same year.
Lohengrin - Peter Anders, Trude Eipperle, Helena Braun, Carl Kronenberg, Josef Greindl, Gunther Ambrosius - Cologne Radio Chorus and Orchestra, Richard Kraus - Cantus Classics (1951)
He sang a number of leading tenor parts from the Italian, French and German repertoire, such as Lohengrin, Tamino, Florestan, Faust, Don José and the Duke of Mantua.
Other roles in her stage repertoire included Abigaille in Nabucco, Elisabeth in Tannhäuser, Elsa in Lohengrin, Odabella in Attila, Sieglinde in Die Walküre, and the title role in Isabeau among others.
He appeared, too, in several German operas by Richard Wagner (on 30 March 1873 he sang in the first production in Milan of Lohengrin, to Gabrielle Krauss's Elsa), and was a famous Don Giovanni in Wolfgang Amadeus Mozart's opera of the same name.