Her multi-layered compositions incorporate musical styles including opera, rock, Medieval music, and world music.
Fulton has performed on over thirty albums and soundtracks broadly ranging from medieval, baroque, orchestral, and contemporary music to Celtic music and film scores, on records labels such as PolyGram, Koch International Classics, Nonesuch, Gourd Music, and others.
Cinco Siglos is focused on the instrumental repertoires from the Middle Age, the Renaissance and the Baroque periods, with preference on those that combine the cultivated and popular styles.
Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications Music in the Middle Ages (1940) and Music in the Renaissance (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source.
She is fond of medieval secular songs, for which she creates modern arrangements or new melodies when the originals are lost, with distinctly Armenian character.
1989 saw the formation of the German band Corvus Corax, two members of which were on the run from the disintegrating East German regime.
After studies of medieval and Renaissance music with Paul Van Nevel in Leuven (Belgium), he studied classical composition with, among others, Dick Raaymakers and Gilius van Bergeijk at the Koninklijk Conservatory in The Hague in 1990/1991 and with Klaas de Vries, Peter-Jan Wagemans and René Uijlenhoet at the Rotterdam Conservatory from 1996 to 2002.
His label names old folk music, music of the Middle Ages (which they claim to have been pagan, contrary to popular belief), and soundtracks as inspirations.
His most significant output, however, comprises works for brass instruments (a preference likely shaped by his experience as a trombonist) and for early (Medieval, Renaissance, and Baroque) instrument ensembles.
French musician Valentin Clastrier (born 1947) is one of the few performers in the world specializing in contemporary music for the hurdy-gurdy; before Clastrier, the instrument was used primarily in the performance of European Medieval and folk musics.
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The combination and overlapping of layers of musical material from various time periods (from Medieval to Baroque and Classical to Jazz and Pop music) using advanced musical techniques is characteristic of Klangkomposition.
Carolina Brass performs a wide variety of music including Classical and Contemporary works, Medieval and Renaissance music, and pops programs encompassing Broadway, Jazz, Dixieland, Big Band, and other popular forms.
Egardus (or Engardus or Johannes Echgaerd) was a European composer of music in the late fourteenth and early fifteenth centuries.
Engelsstaub's music leans toward the ethereal/neo-medieval end of the gothic spectrum, with stylistic similarities to bands like Ataraxia, The Dreamside and Faith and the Muse.
Fauxbourdon (also Fauxbordon, and also commonly two words: Faux bourdon or Faulx bourdon) – French for false bass – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School.
In the interest of Historically informed performance some singers of Medieval, Renaissance and Baroque music adopt the pronunciation of the composer's period and region.
Schrade's critical editions of works by Guillaume de Machaut, Francesco Landini, and other medieval composers (in the Polyphonic Music of the Fourteenth Century series) are still of utmost importance for early music performers.
The Modena Codex (Modena, Biblioteca Estense, α.m.5,24) (often referred to with the siglum Mod A) is an early fifteenth-century Italian manuscript of medieval music.
Owain Phyfe (1949-2012) was a vocalist, instrumentalist, composer, and the founder of Nightwatch Recording, which concentrates on Renaissance and Medieval music.
Within the context of the Western musical tradition, the term is usually used to refer to music of the late Middle Ages and Renaissance.
Richard Loqueville (died Cambrai, 1418) was a French Medieval and Renaissance transitionary composer.
It covers the period from early music, Medieval and Renaissance music, to the modern era, 20th-century classical music, contemporary classical music, and 21st-century classical music, and its objective is to create a guide to music that is not needlessly complex.