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Dürer also painted another castle owned by the Bevilacqua family: View of Arco (1495) was a watercolour and gouache on paper now displayed in the Musée du Louvre, Paris.
Lazzell extended her stay in France and attended lectures at the Louvre concerning Flemish paintings, Dutch art and the Italian Renaissance.
It is currently on display in The Louvre, with exact replicas in the Oriental Institute at the University of Chicago, the library of the Theological University of the Reformed Churches (Dutch: Theologische Universiteit Kampen voor de Gereformeerde Kerken) in The Netherlands, the Pergamon Museum of Berlin and the National Museum of Iran in Tehran.
Crystal Bridges has announced a four-year collaboration with the musée du Louvre in Paris, High Museum of Art in Atlanta, and the Terra Foundation for American Art.
The double title, both Prussian and French, served to render the duc de Sagan a neutral party in World War II: his Château de Valençay provided a safe haven for treasures of the Louvre during the German occupation of France.
Many art collections include mountain landscapes by Parrott; one of his paintings of Mount Hood was hung in the Louvre.
Notably, around 1470, Jean Fouquet painted the miniatures of a now dismembered manuscript, of which five sheets are currently held in the Louvre.
In addition to his academic works which were painted with almost photographic precision, Scherrer also painted nudes and copied the works of Raphaël in Italy and those of other masters exhibited in the Louvre.
The painter Eugène Delacroix often holidayed at the Valmont manor house and the abbey ruins inspired his drawing Ruines de l'abbaye de Valmont, now in the musée du Louvre.
In a psychostasia on an Athenian red-figure vase of about 460 BCE at the Louvre, the fates of Achilles and Memnon are in the balance held by Hermes.
Art trip to Paris (Louvre and Centre Georges Pompidou) and Rome (Vatican Museums, Rafaello, Michelangelo) And Florence (Uffizi museum), Venice (Guggenheim Museum Venice, Georgione’s La Tempesta), 1977
Battle in the palace of Priam, pen and brown ink, retints in white gouache, traces of stylus, brown wash paper, Paris, Musée du Louvre, département des Arts graphiques, inv.