The xylorimba recalls the African balafon; the vibraphone, the Balinese gamelan; and the guitar, the Japanese koto, though "neither the style nor the actual use of these instruments has any connection with these different musical civilizations" ("Speaking, Playing, Singing" (1963) in Boulez 1986, 341).
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He was inspired by Messiaen's use of birdsong and his unique harmonic ideas, as well as the musics of Bali and India.