National Football League | National Register of Historic Places | National Hockey League | Academy Awards | England national football team | United States Military Academy | National Basketball Association | National Science Foundation | Russian Academy of Sciences | National Geographic | National Trust | National Endowment for the Arts | National Geographic Society | Argentina national football team | National Trust for Places of Historic Interest or Natural Beauty | National Park Service | National League | Australian National University | National Guard | National Geographic Channel | National Institutes of Health | National Guard of the United States | National Collegiate Athletic Association | United States National Research Council | National Portrait Gallery | National Academy of Sciences | Indian National Congress | American Academy of Arts and Sciences | United States men's national soccer team | National Research Council |
He took painting classes as an undergraduate at Columbia's Teachers College and after graduation began to study painting with Carl Holty and Francis Criss at the American Artists School, while simultaneously studying portraiture at the National Academy of Design under Karl Anderson.
In 1856, he gained US citizenship and became identified with the city’s artistic community, “the guild,” joining the National Academy of Design, as well as the Century Club.
From 1873-1875, he studied at the National Academy of Design, augmented by private studies with Joseph Oriel Eaton and visits to Holland, Italy, France and England, with classes at the Académie Julian in Paris with Tony Robert-Fleury and William-Adolphe Bouguereau.
Four years later he returned to New York and thereafter until his death was a frequent exhibitor at the Society of American Artists, the National Academy of Design, and elsewhere.
Her work was exhibited at the National Academy of Design, the Pennsylvania Academy of the Fine Arts in Philadelphia, the Salon in Paris, the Golden Gate International Exposition (1939–1940) and the National Association of Women Painters and Sculptors.
Dearth became a member of the Society of American Artists in 1888 and was elected to full Academician in 1906 when the National Academy and the Society merged.
He also studied at the National Academy Museum and School of Fine Arts, the Art Students League of New York, the Beaux-Arts Institute of Design, and Charles Webster Hawthorne's Cape Cod School of Art.
In 1873 he came to the U.S. and continued his studies at the National Academy of Design in New York and the Pennsylvania Academy of Fine Arts in Philadelphia.
In 1848, Ames traveled to Rome, where he painted a portrait of Pope Pius IX that was featured at the National Academy of Design's annual exhibition in 1850.
He studied at the National Academy of Design between 1935 and 1941 with Leon Kroll and held his first solo exhibition in 1947 at the New York Contemporary Arts Gallery.
Cox was one of the founders and the secretary of the National Free Arts League, and was a member of the Society of American Artists, the National Academy of Design, and the American Academy of Arts and Letters.
Between late 1915 and summer 1916, he studied with Douglas Volk at the National Academy of Design.
As an early member of the Philadelphia Ten, a group of women artists begun in 1921, she organized exhibits and participated in solo and group shows in many galleries in New York, Philadelphia and Washington, including Grand Central, the Whitney Museum, the Pennsylvania Academy of the Fine Arts, the Corcoran and the National Academy of Design.
He began formal art studies at the age of eleven at the Leonardo da Vinci School located at St. Mark's Church on E.10th St. He studied at the National Academy of Design under Leon Kroll, Art Students League of New York, Hans Hofmann School of Fine Arts, and the Rome Academy of Fine Arts.
Paintings by Raoul Middleman can be found in private and corporate collections such as Baltimore Museum of Art, MD; Johns Hopkins Hospital, Baltimore, MD; Corcoran Gallery of Art, Washington DC; National Gallery of Art, Washington DC; Metropolitan Museum of Art, NY; National Academy of Design, NY; New York Public Library, NY; and Syracuse University, NY.
He was a member of the Société Nationale des Beaux-Arts, Paris; of the Royal Institute of Painters in Oil Colours, London; of the Secession societies of Munich, Vienna and Berlin; of the National Academy of Design, the Society of American Artists, New York, and other art bodies.
Returning to America in 1880, he became a member of the Society of American Artists and an Associate member of the National Academy of Design (elected Academician in 1882).
His works won recognition and numerous awards from such institutions as the following: the Paris Salon, the Art Institute of Chicago, the National Academy of Design (Altman prize, 1916); and the Salmagundi Club (Isidor prize, 1917).
Frederick Edwin Church (c. 1848) - National Academy of Design - a portrait of the landscape painter Frederic Edwin Church
He has been a very influential instructor for several generations of students at The National Academy of Design and the Art Students League, including Ephraim Rubenstein, Nomi Silverman and Gregory Frux.
He was awarded full membership in the National Academy of Design in 1919, and served as an longtime instructor at the Art Students League of New York.
He became a member of the National Academy of Design in 1910, National Institute of Arts and Letters, New York Water Color Club, Society of American Artists, and was director of the landscape school of the Art Students League.
During her time at the National Academy of Design, Louise Cox learned an academic style of painting, grounded in the style of Jean-Léon Gérôme (One of her instructors, Professor Lemuel Wilmarth, was taught by Gérôme).
Mersereau was President of the Southern National Academy of Design until 1933 when succeeded by Nan Sheets, and a member of the Society of American Artists.