Streeton's works appear in many major Australian galleries and museums, including the Australian War Memorial, National Gallery of Victoria, the Art Gallery of New South Wales and the National Gallery of Australia.
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Golden Summer, Eaglemont sold for around 1000 guineas in 1924 and in the 1980s it was bought in a private sale by the National Gallery of Australia for US$3.5 million, both times setting a sales record for an Australian painting.
He was a director of the Reserve Bank of Australia in 1981 and 1982 and was the Australian Ambassador to the United States from 1982 to 1985, and from 1991 to 1994 he was Chairman of the Australian National Gallery Foundation.
Heng's work is represented in major private and corporate collections, as well as public and university museum collections in all states of Australia including the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales and the Queensland Art Gallery.
The Brooklyn Museum (New York City), the Honolulu Museum of Art, the National Gallery of Australia, the Rhode Island School of Design-Museum of Art (Providence, Rhode Island), the Solomon R. Guggenheim Museum (New York City), and the Toledo Museum of Art (Toledo, Ohio) are among the public collections holding work by John Seery.
In 1984 Fox donated a painting Sunlight Effect painted by his uncle (ca. 1889) to the National Gallery of Australia, in memory of his mother.
Caspe is collected by Schering-Plough, John Hightower, former director of the Museum of Modern Art, The Derfner Judaica Museum and the Art Collection, and the National Gallery of Australia.
Among private and other public holdings, examples of Dobell's work are exhibited in the Newcastle Region Art Gallery, the Art Gallery of New South Wales, the Queensland Art Gallery in Brisbane and the National Gallery of Australia in Canberra.
In 2000, the National Gallery of Australia acquired from the Quasha family the New Guinea portfolio of 27 prints by Australian photographer Max Dupain (1911–1992), acquired by William Quasha while Quasha was a captain in the US Army in Australia.
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The original was purchased by the National Gallery of Australia in Canberra in 1977; an artist's copy is on loan to the Tate gallery in London from a private collection.
His work is represented in private and public collections including the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Queensland Art Gallery, Parliament House, Canberra, the Print Council of Australia and Saatchi and Saatchi, London.
James Mollison, AO, (born 20 March 1931) was acting director of the National Gallery of Australia (NGA) from 1971 to 1977 and director from 1977 to 1990.
Richard Larter is represented in the collections of major galleries, such as the National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales, Art Gallery of South Australia, Art Gallery of Western Australia and Ballarat Fine Art Gallery, as well as numerous state, regional, university and private collections throughout Australia.
His art is included in the collections of the National Gallery of Australia, National Gallery of Victoria, National Portrait Gallery, and significant private collections including Sir Elton John, James J. O'Donnell and James D, Wolfensohn.
Some examples of their sculpture were spidery and spindly structures, such as the reconstruction (1973–74) of KPS 11: Construction of a spatial apparatus no. 11 (1919–20) in steel, glass, paint and plaster on wood in the National Gallery of Australia Canberra.
According to the National Gallery of Australia, Smith painted The Bridge in Curve, which is based on drawings made at Milsons Point on the North Shore, during an important phase of her career as an artist, when the importance of colour and the application of paint in small strokes gave her paintings a "brilliant vitality".
Parke's photographs are held in numerous public and private collections, including the National Gallery of Australia (Canberra), the National Gallery of Victoria (Melbourne), the Australian National Maritime Museum (Sydney), the Museum of Contemporary Art (Sydney) and the University of Sydney Union.
The purchase is the second highest ever for an Australian work of art, with the top being $5.3M paid by the National Gallery of Australia for a portrait of Captain James Cook by John Webber.
Gallery that hold his paintings include: the National Gallery of Australia, Canberra; the National Gallery of Victoria, Melbourne, the Art Gallery of South Australia, Adelaide and the Art Gallery of Western Australia, Perth.