Olmi's films fit into the artistic mold of Italian neorealism, though Olmi would argue (and does argue, in an interview found on the Criterion Edition DVD of his 1961 film, Il Posto) that this is the artistic tradition he is responding against because, he claimed, he used non-actors in authentic locations whereas neorealism used professional actors.
The neorealism of Michelucci (designer of numerous churches in Tuscany), Charles Aymonino, Mario Ridolfi and others (neighborhoods INA-Casa) was followed by the Neoliberty style (seen in earlier works of Vittorio Gregotti) and Brutalist architecture (Torre Velasca in Milan group BBPR, a residential building via Piagentina in Florence, Leonardo Savioli and works by Giancarlo De Carlo).