Performers of her work have included New York City Opera VOX, the American Composers Orchestra, the London Sinfonietta, the New Music Players, Psappha, the International Contemporary Ensemble, Chroma, the Schubert Ensemble, the BBC National Orchestra of Wales, and the Tokyo Philharmonic.
Before creation of the Los Angeles Opera company, the New York City Opera came regularly on tour and performed in the Pavilion.
After spending 6 months in a refugee camp in Italy, Horvath was granted asylum in the United States, subsequently dancing professionally with the New York City Opera and the Houston Ballet.
Artists such as Christine Weidinger, Michael Devlin, Susan Quittmeyer, Anthony Laciura, Barry McCauley, Stella Zambalis, Linda Zoghby, Amy Johnson, Philip Webb, Hal France and Sylvia McNair have made appearances with major opera companies such as the Metropolitan Opera, New York City Opera, Chicago Lyric Opera, San Francisco Opera and opera houses and festivals of Europe.
"Worth A Song" was later performed in Paris, with Lawrence Leritz, dancer, Elaine Bunse, soprano and New York City Opera's Bruce Norris, pianist.
She held the post of principal cellist of the Montreal Symphony Orchestra from 1942 to 1946 and worked in the same capacity at the New York City Opera for many years.
She coped with the loss by acting, and took third prize on The Ted Mack Amateur Hour, which launched a professional career with the Children's Chorus of the New York City Opera.
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His designs have appeared in celebrated productions at the New York City Opera, the San Francisco Opera, the Santa Fe Opera, the Opera Theatre of Saint Louis, and the Seattle Opera.
After winning several singing competitions in 1957 along with a Rockefeller Award, Voketaitis made his professional opera debut as Vanuzzi in Richard Strauss's Die schweigsame Frau at the New York City Opera (NYCO) in 1958.
In 1957 he joined the roster of singers at the New York City Opera, making his debut with the company in the world premiere of Nevit Kodallı's Van Gogh.
On February 22, 1966, Plácido Domingo had his international breakthrough by singing the title role of this opera at the US premiere of the work by the New York City Opera.
In 1946 and 1947, Mascherini appeared at the New York City Opera, in La bohème (as Marcello), La traviata (with Dorothy Kirsten), Pagliacci (as Silvio, later as Tonio), Rigoletto, Andrea Chénier (opposite Vivian della Chiesa), and Il barbiere di Siviglia (with Luigi Infantino and Virginia MacWatters).
In 1980, Galterio made his New York City Opera debut, with an acclaimed production of La Cenerentola (with Susanne Marsee, Rockwell Blake, and Alan Titus), which was televised over PBS.
In 1966, she appeared as Anna Gomez in a production of Gian Carlo Menotti's The Consul at New York City Opera.
The tenor sang regularly in Naples and Bologna, and made guest appearances at the New York City Opera in 1947: La traviata (with Enzo Mascherini as Giorgio), Rigoletto (opposite Giuseppe Valdengo and Virginia MacWatters), Madama Butterfly, La bohème, Il barbiere di Siviglia (conducted by Julius Rudel) and Don Giovanni.
She has also performed and recorded music by contemporary composers John Cage, Pauline Oliveros, Robert Cogan, Pozzi Escot, Manfred Niehaus and Anthony Davis (including his opera X with the New York City Opera).
He has worked extensively in opera, directing and choreographing productions for the Metropolitan Opera, the New York City Opera, English National Opera, and the Royal Opera House, Covent Garden, among others.
:This article is about a rock group named NYCO, but NYCO is also the acronym of the New York City Opera as well as NYCO Synthetic Lubricants and is also a textile made up of a mix of nylon and cotton.
:NYCO is also the name of an alternative rock group from Chicago, Illinois, as well as the acronym of the New York City Opera.
Born in Cleveland, Ohio, Moulson studied with Frederick Jagel and Samuel Margolis in New York City before making his professional opera debut in 1958 with the New York City Opera as Sam Polk in Carlisle Floyd's Susannah.
Trogan also taught for several years for at New York University, and privately for prominent individuals and families, including the families of violinist Isaac Stern, actor Richard Burton, diplomat Felix Rohatyn, actor Christopher Plummer, Sarasota Opera director Victor DeRenzi, and New York City Opera conductor Julius Rudel.
He began his tenure with the New York City Opera in 1966, where he appeared regularly until 1972, in Tosca (with Sherrill Milnes as Scarpia), Carmen (opposite Huguette Tourangeau), Gianni Schicchi (with Norman Treigle and Beverly Sills), Der Rosenkavalier (with Elisabeth Grümmer), La traviata, Bomarzo (in its New York premiere), Lucia di Lammermoor (with Sills), Don Rodrigo (of Ginastera), and Mefistofele (with Treigle).
At the New York City Opera, Caldwell staged Der junge Lord and Ariadne auf Naxos (with Carol Neblett), both in 1973.
Sargon has been on the staff of the New York City Opera, Connecticut Opera, Dallas Opera, and was the assistant conductor of the Concert Opera Association of New York, which gave concert performances of unknown and neglected operatic works at Philharmonic Hall.
MacWatters sang at the New York City Opera from 1946 to 1951, in The Pirates of Penzance (as Mabel, conducted by Julius Rudel), Rigoletto (as Gilda, with Giuseppe Valdengo and Luigi Infantino), Il barbiere di Siviglia (as Rosina, opposite Enzo Mascherini), The Old Maid and the Thief (as Laetitia, with Marie Powers), Le nozze di Figaro (as Susanna), Les contes d'Hoffmann (as Olympia), and Ariadne auf Naxos (as Zerbinetta).
Her music has been presented in such venues as Carnegie Hall, the Walt Disney Concert Hall, (Le) Poisson Rouge, Tanglewood Music Center, Aspen Music Festival and School, the Great Lakes Chamber Music Festival, New York City Opera’s VOX, and the Art Institute of Chicago.
Imre Palló, formerly Director of the Deutsche Opera of the Rhein/Germany and New York City Opera conductor, succeeded Claude Monteux as Music Director in 1976.
In Winter 2004, Epperson (in a different drag role) played the role of the Wicked Stepmother in the New York City Opera's revival of Rodgers & Hammerstein's Cinderella in a cast with Eartha Kitt, Dick van Patten and fellow Wigstock veteran Renée Taylor.
ONNY has partnered with the Schomburg Center for Research in Black Culture and New York City Opera to present rarely performed live excerpts from the operas Treemonisha, Ouanga, Four Saints in Three Acts, Till Victory is Won, Troubled in Mind, and I Was Looking at the Ceiling and Then I Saw the Sky by composers John Adams, Edward Boatner, Mark Fax, Scott Joplin, Virgil Thomson, and Clarence Cameron White.
In her first season with the New York City Opera she performed in Werner Egk's The Inspector General.
To date, New York City Opera has never revived the work in full; however, a 60th-anniversary concert production of excerpts was presented by the company in March 2009 at the Schomburg Center for Research in Black Culture.