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It serves all parties in bringing a real time discussion of the arts into play, between articles and news stories posted by Alan Bamberger and Mat Gleason on the west coast and a New York discussion centered around art Critic Jerry Saltz of New York Magazine.
On October 16, 2010 Magner married Angelika Bekerman, formerly of New York, NY, in Brighton Beach, after a proposal earlier that year at New York City’s “public piano” in Herald Square that was featured in New York Magazine.
Formerly the arts & culture editor of the Forward newspaper, he has published in The New Yorker, Esquire, GQ, Vanity Fair, The New York Observer, New York Magazine, The New York Times Magazine, The New York Times Book Review, Playboy, Ploughshares, North American Review, Partisan Review, Southern Review, et al.
These include children's magazines, teen magazines Seventeen and others, and a range of general magazines, such as New York Magazine and Weight Watchers.
Under these auspices Gallucci shot hundreds of magazine spreads and covers for: Newsweek, Business Week, Fortune, U.S. News & World Report, Discover, Longevity, New York Magazine, PC Magazine, Psychology Today, Science, Video Review, Weight Watchers, and Family Health magazines.
When asked to design and produce a dress for the Cotillion episode of Gossip Girl, costume designer Eric Daman told New York Magazine,
He has freelanced for Playboy, New York Magazine, Provincetown Arts, Lid, Stop Smiling, Corriera De La Sera, The Norman Mailer Review, ESPN Books and The American Conservative.
He was featured in an important essay on graffiti art by Richard Goldstein which appeared in New York Magazine and inspired a new generation of graffiti artists.
As a freelance writer, Albo has contributed to magazines, newspapers and websites including the New York Times, The New Yorker, New York Magazine, GQ, Elle Décor, Country Living, The Daily Beast, The Village Voice, Details, and many others.
In October 2010, New York Magazine revealed that Punk'd was being revived with Justin Bieber replacing Kutcher as the host; however it stated that Kutcher would remain as executive producer.
In 2011, Scharpling was commissioned by New York Magazine to write multi-page recaps for every episode of the fourth season of NBC's Celebrity Apprentice.
Since its inception, WLA has been featured locally in the NY Daily News, Gothamist, New York Magazine, NY1, Metro International, WPIX, and WABC.
"Moss became a guru of this change – an anti-Times sort of figure in the middle of the Times. A magazine person at a newspaper, an openly gay person in a repressed atmosphere, a mild man among bullies and screamers," described media writer, Michael Wolff, in a 1999 profile of Moss in New York magazine.
BAD IDEA was founded in September 2006 by journalists Jack Roberts and Daniel Stacey, both of whom were students at a magazine production class run by Clay Felker, the founder of New York Magazine, at the University of California.
In 1978, Andrews, was hired as an associate editor at New West magazine, a bi-weekly California publication started by Clay Felker as a parallel to his seminal New York magazine.
Throughout this time, he freelanced for the New York Times, New York magazine and other publications; he was also one of the founding bloggers at True/Slant.
In their review, New York Magazine found it "swifter and more intelligent than Robert Ludlum's" work, though the publication accused it of wallowing in blood.
In his mostly negative review for New York magazine's books section, Sam Anderson struck a note of disappointment, puzzlement, and confusion.
He is generally considered to be and has been cited by New York Magazine as the real-life inspiration for the character of "Mr. Big" (played by actor Chris Noth) on HBO's Sex and the City (based on book of the same name by Candace Bushnell).
The museum's decision to show works from the collection of one of its trustees raised some ethical red flags by several bloggers, and gained momentum with a front page article on The New York Times followed by considerable coverage elsewhere, including an editorial in The Art Newspaper by Modern Art Notes' Tyler Green, who had previously blogged about the situation, and responses by Jerry Saltz in New York Magazine.
New York Magazine art critic Jerry Saltz described the drawing as "a great big art world stink bomb" and a much needed institutional critique.