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Beside singing and teaching, Nourrit composed and wrote scenarios for ballets at the Opéra de Paris, including the libretto for La Sylphide (1832), which was based on Meyerbeer's Robert le Diable.
Stix-Brunell trained at the School of American Ballet from 2000 to 2005, when she was admitted to L'Ecole de Danse de l'Opera de Paris where she danced in the Demonstrations de l'Ecole de Danse, Serge Lifar's Entre deux Rondes and Rudolf Nureyev's La Bayadère with the Paris Opera Ballet.
Kent Nagano, conductor; Alan Held, Angela Denoke, Christopher Ventris, Hannah Esther Minutillo, Charles Workman; orchestra and chorus of the Opera National de Paris; Bel Air Classiques, (2007).
Ritcheson is a member of Phi Beta Kappa, Fellow of the Royal Historical Society, a member of the Texas Institute of Letters, the Société Française d'Archeologie, Association pour le rayonnement de l'Opéra national de Paris, Brooks's, the Beefsteak Club, London, and the Cosmos Club, Washington, D.C.
The opera was a co-commission of the Schwetzingen Festival, the Grand Théâtre de Genève and the Opéra National de Paris and premiered in the Schlosstheater Schwetzingen under the German title Kälte on May 21, 2006.
Throughout his 30 year dancing career he performed as a guest artist in 34 countries and with more than 60 companies including such well known ones as American Ballet Theatre, the Royal Ballet, Stuttgart Ballet, the Paris Opera, the Royal Danish Ballet, La Scala of Milan, the Vienna State Opera Ballet, the Australian Ballet, the National Ballet of Canada, and Boston Ballet.
The Académie royale de musique in Paris was then in financial difficulties and its director Jean-Nicolas de Francine was unable to remedy the situation alone.
Guesch Patti first started her career at dancing at age nine when she performed in a ballet at the Opéra National de Paris, working with Roland Petit, then at contemporary dance with Carolyn Carlson and Pina Bausch, and finally at variety dance on television.
Scribe was writing to the tastes of the Opéra de Paris, where the work was first performed – a work in five acts presenting spectacular situations (here the Council of Constance of 1414), which would allow a flamboyant staging in a setting which brought out a dramatic situation which was also underlined by a powerful historical subject.
Paris audiences had already seen Mosè in Egitto — both in a performance by the Paris Opéra at the Théâtre de l'Académie Royale de Musique and at the Théâtre des Italiens — before Rossini revised it again, this time markedly, for the Paris Opéra.
He conducted at most of the major opera houses of Italy, and made guest appearances at Glyndebourne Festival Opera, Royal Opera at Covent Garden, Opéra National de Paris, Vienna State Opera, Zurich Opera, and the Teatro Colón among other theaters.
Naharin's works have been commissioned by the Frankfurt Ballet, Opéra National de Paris, Grand Théâtre de Genève, Sydney Dance Company, Lyon Opera Ballet, Les Grand Ballets Canadiens, Rambert Dance Company, Compañia Nacional de Danza, Cullberg Ballet, Finnish National Ballet, Ballet Gulbenkian, Balet da Cidade de São Paulo, Bavarian State Ballet, Cedar Lake Contemporary Ballet, Pittsburgh Ballet Theatre and Hubbard Street Dance Chicago.
Swenson has appeared on many opera stages, including the Opéra National de Paris, the Royal Opera House at Covent Garden, the Metropolitan Opera, the Berlin State Opera, the Grand Théâtre de Genève, the Hamburg State Opera, the Bavarian State Opera and the Chicago Lyric Opera.
It is the biggest in Italy, and one of the largest of Europe (the third after the Opéra National de Paris and the K. K. Hof-Opernhaus in Vienna), renowned for its perfect acoustics.
Marie-Agnès Gillot, dancer and choreographer at the Ballet de l'Opéra National de Paris