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It is currently considered one if the most beautiful and most important tourist attraction in Minas Gerais, especially during the Holy Week, when it becomes an outdoor stage for reenactment of the passion of Christ.
The west face of the head of the Cross is carved of scenes from the Passion of Christ, and also the Crucifixion.
In the Roman Rite the name "Passion Sunday" has never been officially applied to the sixth Sunday of Lent in spite of the reading at the Mass of that day of an account in one of the Synoptic Gospels of the Passion of Christ.
The church was founded by the Blessed (Beato) Bishop Bartolomeo di Breganze, during the 1200s to house a thorn from the supposed relic of the crown (corona) of thorns forced on Jesus during his passion.
The plant Passiflora edulis (Passion fruit) was given the name by early European explorers because the flower's complex structure and pattern reminded them of symbols associated with the passion of Christ.
He painted a series of 160 works on the Passion of Christ, and a series of 20 depicting the Nativity as if Christ had been born in various Canadian settings: an igloo, a trapper's cabin, a boxcar, a motel.
He achieved success in his own day as a composer of choral works such as The Forsaken Merman (1895), Intimations of Immortality (which he conducted at Leeds Festival in 1907), and The Passion of Christ (1914) but is now chiefly remembered for his song cycles such as Maud (after Tennyson, 1898) and the first known setting (1904) of A. E. Housman's A Shropshire Lad.
Thomas of Jesus (died 1582) wrote the "Passion of Christ" and "De oratione dominica".
It includes some twenty scenes basing on two main themes: the Passion of Christ and the Seven Pains of the Virgin, showing Giottesque influences, as well as from Duccio di Buoninsegna and Ambrogio Lorenzetti.