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Astor's biggest success was undoubtedly Federico Fellini's La Dolce Vita (1960), which was a huge box-office hit for the company, and allowed it to continue to release foreign films such as Michael Powell's Peeping Tom (1960), François Truffaut's Shoot the Piano Player (1960), Alain Resnais' Last Year at Marienbad (1961) and Orson Welles' The Trial (1962).
Shortly after expressing her disgust at Michael Powell's Peeping Tom, she resigned from The Observer following the release of Alfred Hitchcock's Psycho in 1960.
This included bit parts in two films directed by her uncle Michael Powell: Peeping Tom (1960), and The Queen's Guards (1961).
It was the first film in what film critic David Pirie dubbed Anglo-Amalgamated's "Sadian trilogy" (the other two being Circus of Horrors and Peeping Tom), with an emphasis on sadism, cruelty and violence (with sexual undertones), in contrast to the supernatural horror of the Hammer films of the same era.
For the company, he produced Peeping Tom and The Criminal (both 1960), the former now highly regarded was controversial at the time of its release.
In early 2008, Korn guitarist James "Munky" Shaffer announced plans to release a new project entitled Fear and the Nervous System (probably a reference to Michael Powell's 1960 film "Peeping Tom").
Kaieteur News columnists include Freddie Kissoon, Stella Ramsaroop, Adam Harris, and an anonymous columnist who goes by Peeping Tom.