Pieter Bruegel the Elder | Pieter Brueghel | Pieter Mulier II | Pieter Hintjens | Pieter Wispelwey | Pieter Willem Korthals | Pieter Vreede | Pieter van Vollenhoven | Pieter van Musschenbroek | Pieter Vanderlyn | Pieter Teyler van der Hulst | Pieter Snapper | Pieter Rossouw | Pieter Langendijk | Pieter Kasteleyn | Pieter Hugo | Pieter Feith | Pieter de Ring | Pieter de Hooch | Pieter Bourke | Pieter Bleeker | Pieter Aertsen | Pieter Zeeman | Pieter van der Hulst | Pieter van den Hoogenband | Pieter Seelaar | Pieter Rijke | Pieter Paulus | Pieter Nuyts | Pieter Nooten |
Her winter paintings are reminiscent of some of the known winter paintings of Pieter Bruegel, the Elder, such as The Hunters in the Snow and Winter Landscape with a Bird Trap.
In 1974, Breitenbach started work on a painting of contemporary proverbs, idioms, and clichés, after feeling challenged by a review of Pieter Bruegel's sixteenth-century painting of Dutch proverbs, Netherlandish Proverbs, suggesting that language was particularly colorful "back then".
The cover of the album is a composite of two works: the first being The Tower of Babel by Pieter Bruegel; the second being the blue sun.