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In 1969 he also exhibited in Paris for the first time along with New York for the event "Nine at Castelli" where, with Giovanni Anselmo, they were the only European artists, faced with artists of Process Art, Antiform and Post-minimal artists.
Her work can be divided into three phases: Process art in the '70s; anti-nuclear art in the '80s; and The G-d Project, a feminist commentary on the Hebrew Bible and other established traditions, in the '90s and 2000s.
Dupont's work draws from a variety of themes and references, and engages the Postdigital in relation to the history of sculpture and the Body art, Process art and Systems art movements of the 1960s and 1970s.