His madrigals, on the other hand, are a cappella, in the late Renaissance style, so Agazzari simultaneously showed extreme progressive tendencies as well as some more conservative ones: unusually, his progressive music was sacred, and his conservative was secular, a situation almost unique among composers of the early Baroque.
Ausmultiplikation (literally, "multiplying-out") is a German term used by the composer Karlheinz Stockhausen to describe a technique in which a long note is replaced by shorter, "melodic configurations internally animated around central tones", resembling the ornamental technique of divisions (also called "diminutions") in Renaissance music.
Carolina Brass performs a wide variety of music including Classical and Contemporary works, Medieval and Renaissance music, and pops programs encompassing Broadway, Jazz, Dixieland, Big Band, and other popular forms.
He was the guitarist and lead vocalist for his band Extra Life, a hybrid of math rock and Renaissance music and now plays with his new project Seaven Teares.
Cinco Siglos is focused on the instrumental repertoires from the Middle Age, the Renaissance and the Baroque periods, with preference on those that combine the cultivated and popular styles.
Hermann Finck (1527 – 1558), German composer, music theorist and organist of the Renaissance, great-nephew of Heinrich Finck
As a musicologist, his interest was primarily in music of the 15th and 16th centuries.
Giulio Romolo Caccini (also Giulio Romano) (8 October 1551 – 10 December 1618), was an Italian composer, teacher, singer, instrumentalist and writer of the very late Renaissance and early Baroque eras.
Hans Neusidler (also Neusiedler, Newsidler) (c. 1508-09 – February 2, 1563), was a German composer and lutenist of the Renaissance.
Joachim Thibault de Courville (died 1581) was a French composer, singer, lutenist, and player of the lyre, of the late Renaissance.
He is most famous as the author of Gradus ad Parnassum, a treatise on counterpoint, which has become the single most influential book on the Palestrinian style of Renaissance polyphony.
Orazio Vecchi (December 6, 1550 (baptized), Modena – February 19, 1605) was an Italian composer of the late Renaissance.
Owain Phyfe (1949-2012) was a vocalist, instrumentalist, composer, and the founder of Nightwatch Recording, which concentrates on Renaissance and Medieval music.
Within the context of the Western musical tradition, the term is usually used to refer to music of the late Middle Ages and Renaissance.
It covers the period from early music, Medieval and Renaissance music, to the modern era, 20th-century classical music, contemporary classical music, and 21st-century classical music, and its objective is to create a guide to music that is not needlessly complex.
Kaljuste took his father's role as leader of the Ellerhein Chamber choir in 1974, an ensemble that performed choral works ranging from Renaissance music to contemporary avant-garde music.
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They are sometimes categorised as Psych folk or as Medieval folk rock, but their music was much more a reinvention of Renaissance music, based around the use of period instruments such as lutes and recorders.
Fauxbourdon (also Fauxbordon, and also commonly two words: Faux bourdon or Faulx bourdon) – French for false bass – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School.
Gasparo Pratoneri, nicknamed "Spirito da Reggio" (fl. 1556-9) was an Italian priest, and composer of the Renaissance based at San Prospero in Reggio Emilia.
Giacomo Fogliano (1468 – 10 April 1548) was an Italian composer, organist, harpsichordist, and music teacher of the Renaissance, active mainly in Modena in northern Italy.
Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications Music in the Middle Ages (1940) and Music in the Renaissance (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source.
Ippolito Baccusi (also Baccusii, Hippolyti) (c.1550 – 2 September 1609) was an Italian composer of the late Renaissance, active in northern Italy, including Venice, Mantua, and Verona.
Jacques Moderne - Giacomo Moderno (Pinguente, Istria (now Buzet, Croatia), c.1495–1500 – Lyons, after 1560) was an Italian-born music publisher active in France in the Renaissance Era.
Jean Braconnier ("Braconnier dit Lourdault") (died just before January 22, 1512) was a French singer and composer of the Renaissance.
Johannes Fedé (also Jean Sohier) (c. 1415 – 1477?) was a French composer of the early Renaissance.
Johannes Matelart (also Matelart, Matellarto, Matelarte and other variations; first name sometimes Ioanne or Jean) (before 1538 – 7 June 1607) was a Flemish composer of the late Renaissance, active in Flanders, Bonn, and Rome.
In the interest of Historically informed performance some singers of Medieval, Renaissance and Baroque music adopt the pronunciation of the composer's period and region.
After studies of medieval and Renaissance music with Paul Van Nevel in Leuven (Belgium), he studied classical composition with, among others, Dick Raaymakers and Gilius van Bergeijk at the Koninklijk Conservatory in The Hague in 1990/1991 and with Klaas de Vries, Peter-Jan Wagemans and René Uijlenhoet at the Rotterdam Conservatory from 1996 to 2002.
Pierre Clereau (died before 11 January 1570) was a French composer, choirmaster, and possibly organist of the Renaissance, active in several towns in Lorraine, including Toul and Nancy.
Richard Loqueville (died Cambrai, 1418) was a French Medieval and Renaissance transitionary composer.
Stefano Rossetto (also Rossetti) (fl. 1560–1580) was an Italian composer of the late Renaissance, born in Nice, who worked mainly in Florence for the powerful Medici family, and in Munich.
His most significant output, however, comprises works for brass instruments (a preference likely shaped by his experience as a trombonist) and for early (Medieval, Renaissance, and Baroque) instrument ensembles.
Trinity Baroque is a group of musicians who focus on the Renaissance and Baroque periods.