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Their first significant artistic influence outside their immediate environment, and their limited access to American hip hop (Style Wars, Subway Art, Beat Street), stemmed from a chance encounter with Barry McGee (also known as Twist), who happened to be in Brazil for several months on a study program through the San Francisco Art Institute in 1993.
He credits this to Henry Chalfant's coverage of subway graffiti in New York City in Spraycan Art and Subway Art, later as a teenager skateboarding and in particular Thrasher magazine's coverage of skateboard deck graphics led his interest in stickers and the DIY mentality associated with skate and punk fanzines.