In 1910 the Pope collection was featured with that of Harris Whittemore and others in an article in The Burlington Magazine, French Paintings in American Collections by Dr. E. Waldmann, who pointed out that one had to travel to the United States if one wished to make a serious study of modern painting.
In The Burlington Magazine in 1942, Tancred Borenius wrote: “A highly personal sense of colour in a lovely, luminous totality gives the keynote to his art”; Michel Strauss commented on the “strength and sensitivity” of his work in the same Journal in 1961.
In 1903 Fry was involved in the foundation of The Burlington Magazine, the first scholarly periodical dedicated to art history in Britain.
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After the war Waterhouse briefly served as editor to The Burlington Magazine where he was soon succeeded by Benedict Nicolson and began his academic career: Manchester University, 1947–48; Director of the National Galleries of Scotland, Edinburgh (1949–52); Barber Professor of Fine Art, Birmingham University and director of its Barber Institute of Fine Arts (1952–70): Slade professor at Oxford University (1953–55).
Having obtained a BA in English from the University of Cambridge in 1971, Shone was through the 1970s and 1980s a prolific reviewer in the art press - The Burlington Magazine, Art Review, Artforum - as well as a contributor on literature and biography to The Spectator and The Guardian.