Ernest Hemingway stayed more than a month at the famous "Cabo Blanco Fishing Club" and caught a 700 pound marlin while filming the motion picture based on his novel, The Old Man and the Sea.
He won the Levstik Award for his illustrations three times: in 1949 for his illustrations of France Bevk's collection of stories Otroška leta (My Childhood Years), in 1957 for Jack London's White Fang (Slovene title: Beli očnjak) and in 1959 for Hemingway's The Old Man and the Sea (Slovene title: Starec in morje).
In 1956 he did a series of pastel illustrations for Ernest Hemingway's The Old Man and the Sea.
Raymond Sheppard Fellow of Zoological Society (F.Z.S, 1946); Society of Graphic Artists (S.G.A, 1947); Pastel Society (P.S., 1948); Royal Institute of Painters in Watercolours (R.I, 1949), British Illustrator (1913-1958) best known for the original illustrations of "The Old Man and the Sea" by Ernest Hemingway that he was commissioned to produce at the same time as Charles Tunnicliffe.
One of his most famous works, it centers upon Santiago, an aging fisherman who struggles with a giant marlin far out in the Gulf Stream.
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Still dedicated to the old man, however, the boy visits Santiago's shack each night, hauling back his fishing gear, getting him food and discussing American baseball and his favorite player Joe DiMaggio.
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Schmidt also edited The Old Man and the Sea (1958-directed by John Sturges).
When the episode begins, Mrs. Garrison storms into her classroom enraged over a failed date, and takes her rage out on her male students with an essay assignment over the weekend, making them read The Old Man and the Sea by Ernest Hemingway in its entirety.
His last film credit was as Spencer Tracy’s double in The Old Man and the Sea.
In the Nobel Prize-winning author Ernest Hemingway's 1952 novel The Old Man and the Sea, the central character of the work is an aged Cuban fisherman who, after 84 days without success on the water, heads out to sea to break his run of bad luck.
As well as being an adaptation of the Ernest Hemingway novel, The Old Man and the Sea is the winning work of Russian animator Aleksandr Petrov.
From very early stage she was a ravenous reader and her father encouraged this attitude feeding her hunger with many different genres so that at the age of twelve she already had read, among others, Hemingway’s The old man and the sea, nearly all Emilio Salgari and Jules Verne novels, Dumas’s The Three Musketeers and Italo Calvino’s The Cloven Viscount, The nonexistent Knight and The Baron in the Trees.