Stranger in a Strange Land | Stranger Than Paradise | Welcome Stranger | The Passionate Shepherd to His Love | Stranger in Moscow | Never Take Sweets from a Stranger | I See a Dark Stranger | Hello Stranger (film) | Hello Stranger | Dance with a Stranger | Tread Softly Stranger | The Perfect Stranger | Sword of the Stranger | Spit on a Stranger | Rolf Stranger | Naked Came the Stranger | Goodbye Stranger | When a Stranger Calls Back | The Stranger Wore a Gun | The Stranger in the Mirror: Dissociation – The Hidden Epidemic | The Return of Clint the Stranger | The Restless Stranger | The Perfect Stranger (film) | The Passionate Plumber | The Passionate Pilgrim | The Passionate Friends | The Passionate Eye | Talking to a Stranger | Stranger Pond | Stranger in Us All |
She pursued her favorite subject - the female experience - in a number of films, including Street Corner (1953) about women police officers, Somerset Maugham's The Beachcomber (1954), with Glynis Johns as a resourceful missionary, and a series of comedies about the battle of the sexes, including The Passionate Stranger (1957), The Truth About Women (1958) and her final film, Rattle of a Simple Man (1964).