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She also played roles such as Monna and Zulma in Giselle and Maid of Honour in the Sleeping Beauty.
Amongst other roles, Sizova received great acclaim as Princess Aurora in the 1964 Kirov production Tchaikovsky's The Sleeping Beauty opposite Yuri Solovyov.
Odette/Odile (Swan Lake), Clara and Sugar Plum Fairy (The Nutcracker), Pas de deux and Giselle (Giselle), Princess Florina and Aurora (The Sleeping Beauty), Phrygia (Spartacus), Seventh and Eleventh Waltzes (Les Sylphides).
She also danced the major roles of Odette and Odile in Swan Lake, the title role in Giselle and Aurora in The Sleeping Beauty.
Cinderella, Odette/Odile (Swan Lake), Giselle (Giselle), Juliet (Romeo and Juliet), Clara and Sugar Plum Fairy, (The Nutcracker), The Snow Queen (The Snow Queen), Princess Aurora, Princess Florine and the Bluebird (The Sleeping Beauty), The Chosen One (Rite of Spring), Manon (Manon).
She danced many major roles of the classical repertory, including Odette/Odile in Swan Lake, Nikiya in La Bayadere, Kitri in Don Quixote, the Lilac Fairy in The Sleeping Beauty and the title role of La Esmeralda.
Though unknown to most people, even those in the arts, it was he who brought about the very existence of such world-famous ballets as The Sleeping Beauty (Tchaikovsky/Petipa) and The Nutcracker (Tchaikovsky/Ivanov).
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In 1889, he duly instructed the Imperial Balletmaster Marius Petipa to choreograph a full-length ballet to the story La Belle au Bois Dormant, or The Sleeping Beauty for a premiere at the Mariinsky Theatre.
The Ballet also presents several full length ballets each year including Swan Lake, The Sleeping Beauty, Coppelia, Romeo and Juliet, Cinderella, Giselle and Don Quixote.
Marche Henri IV was a common leitmotif for French royalty in several 19th century works, such as in Gioachino Rossini's opera Il viaggio a Reims (in the finale, when Charles X is crowned) and in the final march in Pyotr Ilyich Tchaikovsky's ballet The Sleeping Beauty.
She graduated her ballet school and joined the Kirov Ballet in 1947, where she danced such roles as Aurora (The Sleeping Beauty), Myrtha (Giselle), Odette-Odile (Swan Lake), Kitri (Don Quixote) and Parasha (The Bronze Horseman).
His repertoire includes Prince in The Sleeping Beauty, the slave in Le Corsaire, Oberon in A Midsummer Night's Dream, the prince in Cinderella, Albrecht in Giselle, Romeo in Romeo and Juliet, Basilio in Don Quixote, Siegfried in Swan Lake, Colas in La Fille mal gardée, Vershinin in Winter Dreams, and Ivan in The Firebird.
These include The Little Broadcast, The Philips Broadcast of 1938, Hoola Boola and South Sea Sweethearts, The Sleeping Beauty, Tulips Shall Grow, Together in the Weather, John Henry and the Inky Poo, Philips Cavalcade, Jasper in a Jam, and Tubby the Tuba.
There were also revivals of The Sleeping Beauty in the version by Peter Wright; Anna Karenina by Boris Eifman; Don Quixote by Rudolf Nureyev; choreography by Balanchine, Robbins, Neumeier, Tharp, and Forsythe; a Nureyev Gala; and the repertoire pieces Le Concours by Maurice Béjart and Marie Antoinette by Patrick de Bana.
In 1995, she appeared in the title role of a ninety-minute version of Tchaikovsky's The Sleeping Beauty, which was telecast on Great Performances by PBS during the Christmas season.
Indeed, the fairy godmothers were added to The Sleeping Beauty by Perrault; no such figures appeared in his source, "Sole, Luna, e Talia" by Giambattista Basile.
Other major productions included Marcia Haydee's 'The Sleeping Beauty' (marking WAB's debut at The Burswood Theatre and boasting a cast of over 80), 'Gala' (with guest Principal Artists from The Royal Ballet, Stuttgart Ballet and The Australian Ballet) and John Cranko's 'The Taming of the Shrew'.