The beginnings of hip-hop culture in the Philippines can be attributed to several main factors; the innate of them being the heavy influx of American musical styles in that country as reflected in the widespread popularity during the 1960s of Motown artists The Temptations, The Supremes and The Jackson Five and later in the 1970s of Funk, Soul and Disco music.
Critical reviewers of "Busy for Me" noted similarities between the song to releases by Aretha Franklin, Dusty Springfield and The Supremes, as well as contemporaries such as British singer Amy Winehouse or Duffy.
Despite its low production values, the film has achieved a certain cult status for the appearance of Price and other AIP Beach Party film alumni, its in-jokes and over-the-top sexism, the claymation title sequence designed by Art Clokey, and a title song performed by The Supremes.
I Had to Fall in Love was the only solo album released by former Supremes lead singer Jean Terrell, released in 1978 on the A&M label.
This album shares similarities with the Supremes first album, Meet The Supremes, in that they both feature all three Supremes on lead vocals and did not make the Billboard Charts.
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Let Yourself Go, the follow-up box set to This Is the Story: The '70s Albums, Vol. 1 – 1970–1973: The Jean Terrell Years, comprises The Supremes' albums from 1974–1977, featuring original member Mary Wilson, longtime member Cindy Birdsong, newest member Scherrie Payne, and final Supreme Susaye Greene.
The Never-Before-Released Masters is 1987 compilation album containing unreleased recordings recorded by Motown girl-group The Supremes from 1961 to 1969.
In her second autobiography Supreme Faith: Someday We'll Be Together, Mary Wilson recalls other songs being performed as latter day singles by the group such as "You're My Driving Wheel", "He's My Man" and "You're What's Missing In My Life".
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As the group's touring schedule was booked months in advance, it fell that the group would be performing at one of London's top theaters in Drury Lane, on Mary's last night as a member.
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"A Song for You" /"How Lucky Can You Get" - solo performance by Mary Wilson
During this time of day, the station's variety of music can range from The Beatles to The Supremes to Jim Croce to Phil Collins to Bon Jovi to Madonna to Celine Dion.
the Supremes | War of the Supremes | The Supremes Sing Holland–Dozier–Holland | Former Ladies of the Supremes | Farewell (The Supremes album) |
A Bit of Liverpool is an album by singing group The Supremes, released in the fall of 1964 on the Motown label.
In subsequent years, "A Lover's Concerto" has been recorded by numerous other artists, including Cilla Black, Kelly Chen, the Delfonics, the Fleetwoods, Audrey Hall, Maleewan Jemina (th), Doyle Lawson, the Lennon Sisters, Mrs. Elva Miller, the Peanuts, the Pearls, Perrey and Kingsley, the Supremes, Carla Thomas, Tight Fit, Leslie Uggams, and Sarah Vaughan.
She and her groupmates, Diana Ross (then known as Diane), Mary Wilson and Florence Ballard, signed a recording contract with Motown founder Berry Gordy on January 15, 1961 as The Supremes, a name that Ballard had chosen (as she was the only group member in the studio at the time) from a list provided by Motown songwriter, Janie Bradford, and became part of the Motown stable of performers.
Starting out with the massive hit "I Can Understand It" (originally by Bobby Womack), lead by Leslie Wilson, they followed their trend of covers with an exceptional version of The Stylistics' "Stop, Look & Listen" and Buffy Sainte-Marie's "Until It's Time For You To Go", featuring future member of The Supremes Susaye Greene.
Christian Ballard comes from a family of established Detroit musicians which include his great-uncle Hank Ballard of The Midnighters and Hank's cousin Florence Ballard of The Supremes.
They released several singles under their own name (including French-language versions of such as The Turtles' "Elenore" and The Supremes' "Come See About Me"), but spent most of the 1970s working as backing singers, both on stage and in the studio, for François and other big names.
After a handful of singles, Colourbox's first full-length studio album - also self-titled - followed in August 1985, which further refined the band's diverse palette, mixing sample-splattered power-punk instrumentals with elegiac piano pieces ("Just Give 'em Whiskey" and "Sleepwalker" respectively), commercial pop ("The Moon Is Blue" and "Suspicion") and more reggae and soul covers (U-Roy's "Say You" and The Supremes' "You Keep Me Hanging On").
Cream of the Crop is a 1969 album recorded by Diana Ross & the Supremes for the Motown label, the final regular Supremes studio album to feature lead singer Diana Ross.
Six tracks were reworked by some of the biggest names in the industry at the time and cover Ross' career as a solo artist and as a member of The Supremes, with Frankie Knuckles updating "Someday We'll Be Together" from 1969.
It is a Holland–Dozier–Holland composition that was also covered by The Supremes for their album titled The Supremes Sing Holland–Dozier–Holland that was released in 1967 and also featured as the b-side to their single "In and Out of Love" that was released in the same year.
His definitive performance is on "War" by Edwin Starr; other notable songs Ashford played tambourine on include "Nowhere to Run" by Martha & the Vandellas, "You Can't Hurry Love" by The Supremes, "I Heard It Through the Grapevine" by Marvin Gaye, and "Don't Leave Me This Way" by Thelma Houston.
Las Supremas de Móstoles (or The Supremes of Móstoles, in English) is a Spanish pop band made up of three sisters, Susi, Vicky and Luisi (two of them are twins).
He recorded for both the Chess and Motown labels in the 1960s and 1970s, and co-wrote or co-produced several major hit records, including Mitty Collier's "I Had A Talk With My Man" (1964), The Supremes' "Nathan Jones" (1971), and Eddie Kendricks' "Keep On Truckin'" (1973) and "Boogie Down" (1974).
Her greatest success came in the 1970s with her versions of Paul McCartney's "My Love" and The Supremes' "Stop! In the Name of Love" and a duet with Blue Magic on "What's Come Over Me."
Wonder is noted in the liner notes of the 4-CD set "Hitsville USA: The Motown Singles Collection Volume 2 1972-1992" as describing the music for the song as an ode to "You Can't Hurry Love" and "My World Is Empty Without You," both by The Supremes, former Motown label mates of Wonder.
They comprise several semi-autonomous groups of performers covering material by artists such as Whitney Houston, Tina Turner, The Supremes, Stevie Wonder, Michael Jackson, George Benson and several boy bands.
#"Touch" (originally performed by The Supremes) (Pam Sawyer, Frank Wilson) (Recorded August - November 1972) – 3:00
Kalinich also has collaborated with a number of recording artists, performers and musicians including P.F. Sloan, Art Munson, Kenny Hirsch, Randy Crawford, Mary Wilson of the The Supremes, Odyssey, Clifton Davis and Diana Ross.
African-American singers such as Ella Fitzgerald, James Brown, Louis Armstrong, Lena Horne, Stevie Wonder, The Jackson 5, Ray Charles, Aretha Franklin, Gladys Knight & the Pips, The Pointer Sisters, Charley Pride, The Temptations, and The Supremes appeared on the program, as well as many contemporary white entertainers.
It paid tribute to Motown (featuring animated versions of The Temptations and The Supremes) and featured other charting stars of the time, including animated versions of Vanilla Ice, Sinéad O'Connor, Michael Jackson, Madonna and Elton John; along with both a live action and an animated Rod Stewart with his animated dog.
The Supremes Sing Country, Western & Pop is an album recorded by The Supremes, issued by Motown in February 1965 (see 1965 in music).
The Supremes Sing Holland–Dozier–Holland (issued internationally as The Supremes Sing Motown) is a 1967 album by The Supremes for Motown.
Wiegratz has performed and recorded with countless renowned national and international artists, including Phil Collins, George Duke, Al Dimeola, Lenny White, The Temptations, Gladys Knight & the Pips, The Supremes, Steve Smith, Jaco Pastorius, Wayman Tisdale, Andy Kim, Lyle Mays, Spencer Brewer, Chris Spheeris, Michael Jones, and Sigmund Snopek III.
(Motown singer/songwriter Johnny Bristol also co-wrote The Supremes'final hit with Diana Ross, "Someday We'll Be Together").
It has been recorded or performed live by over 100 artists, including Carla Thomas, Tom Clay, The Staple Singers, Judy Garland, The Supremes, Cilla Black, The Chambers Brothers, McCoy Tyner, Barry Manilow, Jad Fair with Daniel Johnston, Ed Ames, Johnny Mathis, Zwan, Steve Tyrell, Luther Vandross, Andrea Ross, Aimee Mann, Rigmor Gustafsson, Stacey Kent, Mr. Bungle, The Young Americans, Rick Astley and Coldplay.
"You Send Me" has been covered by a number of artists, including Michael Bolton, Nat King Cole, The Drifters, The Everly Brothers, The Four Seasons, Bobby Vee, José Feliciano, Aretha Franklin, Steven Houghton, Nicolette Larson, Steve Miller Band, Van Morrison, Otis Redding, Sam & Dave, Percy Sledge, Roy Ayers, Paul & Paula, The Supremes, Chris FarrenRachelle Ferrell.
Based on samples from Diana Ross & the Supremes' 1968 song "Love Child" and Kool & the Gang's 1973 song "Jungle Boogie", the song is about Jackson being told by her girls that a guy is watching and wanting her.