In 2004, shortly before Get Underground was dissolved by creator Shlomo Sher, Wasim Muklashy approached Freville about becoming a staff writer for his newly launched newsstand magazine Wav.
The follow-up, Big White Lies, appeared in 1994, and as word of Von Sneidern's music spread in the pop underground, he picked up more production work in addition to his own recordings, and opened his own Bay Area recording studio.
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His band, Avtomaticheskie udovletvoriteli, was a sort of underground club for dozens of local musicians, including Kino's late frontman, Viktor Tsoi, and Tequilajazzz's Yevgeny Fyodorov (ru).
In recent years, local Bangladeshi hip hop artists have begun to emerge in underground scenes in large cities such as Dhaka, Chittagong, Sylhet and Barisal.
Beaker Street, which first aired on clear channel KAAY AM 1090 from 1966 through 1972, was the first underground music program broadcast regularly on a commercial AM radio station.
KAAY's cult status was forged in the late 1960s, when, after 11:00 each evening, the station abandoned the standard Top 40 format for three hours of underground music with the program Beaker Street hosted by Clyde Clifford.
Kay V (born Kushaal Virdi on December 24, 1988) is an underground Indian music producer & rapper.
The release of A Song for Me (1970) and Anyway (1970) established Family as a fast and loud rock band also capable of producing the most intense acoustic music, in the British underground music scene, at that time.
thefucKINGFUCKS is an underground Belgium industrial rock performance art group that began as a musical side-project for controversial visual artist Kendell Geers, Patrick Codenys of Front 242.
Speed garage, a genre of underground music, popular in mid-late 1990s.
In the year 2000, he established – in collaboration with Zeid Hamdan – his first label ‘Mooz Records’ through which he produced the majority of Beirut’s underground music scene.
As a duo, Lollobrigida performed for the first time at a bigger public concert in June 2003 in the student club KSET, as an opening band for German trash-style musician Mambo Kurt, attracting immediately a pronounced interest within Zagreb's underground-music audience.
Some underground music are employed throughout the film presenting a number of emerging alternative singers such as Mohsen Namjoo.
It was created in 2005 by Trey Lindsay to cater to the unique, but underexposed growing underground music scene in Atlanta, Ga.
It has been key to the distribution of underground music from artists such as Ghetto and Devlin releasing their Ghetto Gospel and The Art Of Rolling albums respectively.