São Vicente | Vicente Fox | São Vicente, Cape Verde | San Vicente | Vicente Fernández | São Vicente, São Paulo | Aranda | Juan Vicente Gómez | Gil Vicente | Vicente Rojo | Vicente Huidobro | San Vicente, El Salvador | San Vicente Boulevard | Gil Vicente F.C. | Fernando Vicente | Vicente Fernandez | Vicente Blasco Ibáñez | San Ildefonso, San Vicente | Monastery of São Vicente de Fora | Juan Vicente de Güemes, 2nd Count of Revillagigedo | Aranda de Duero | Vicente Yáñez Pinzón | Vicente Martín y Soler | Vicente Grondona | São Vicente Island League | San Vicente de Cañete | Vicente Rojo Lluch | Vicente Ramón Roca | Vicente Pernía | Vicente Padilla |
He started to write novels late in life, but he obtained an overwhelming success with El manuscrito carmesí (The Crimson Manuscript, Planeta Prize 1990), Águila Bicéfala (Two-Headed Eagle, 1994), La regla de tres (The Rule of Three, 1996) and La pasión turca (Turkish Passion, 1993), adapted for the cinema by Spanish director Vicente Aranda and Más allá del Jardín (Beyond the Garden, 1995), adapted by Pedro Olea.
The most important representative of the Barcelona School of Film was Vicente Aranda with his film Fata Morgana (1965).
Producer Enrique Viciano suggested a film adaptation of a novel by Catalan author Juan Marsé to director Vicente Aranda, who had previously adapted Marsé's novel The Girl with the Golden Panties, making it into an art house hit.
Other starring roles of his include Deseo (Desire) (2002), a Gerardo Vera film in which he plays at the sides of Leonor Watling and Cecilia Roth, and Carmen (2003), an adaptation of Prosper Mérimée's classic by director Vicente Aranda.