There he recorded the songs "Goose Hill Woman Blues", "Married Man Blues", "Short Dress Blues" and "Third Street Woman Blues" under the name 'Blind Willie Reynolds' for Victor Records.
This march was written prior to 1922, when Goldman recorded it for the Victor Talking Machine Company, but he revised it at least once before publishing the 1937 edition now largely in use.
In October 1902, they recorded six sides for the Victor Talking Machine Company, under the name of The Dinwiddie Colored Quartet.
He worked as an arranger or accompanist on numerous 78 rpm recordings for such labels as Bluebird, Brunswick, Columbia, Starr, and Victor.
The events leading to the song’s immense popularity began with a decision by Victor in 1924 to issue a recording of another song The Wreck of the Old 97, also titled The Wreck of the Southern Old 97, which had been a money-maker for other record companies.
His Two American Sketches for piano won a $10,000 prize from the Victor Talking Machine Company in 1928.
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After the Richmond, Virginia reunion in June 1922, Gilliland and Robertson traveled to New York City, auditioned for and received a recording contract with the Victor Talking Machine Company.
In the 1910s and 1920s Emil Norlander was introduced to Swedish-American audiences through recordings on the Columbia, Edison and Victor labels.
In various prewar lineups Smith recorded singles on Bluebird, Victor, Regal Zonophone (Australia), The Twin (India), and Montgomery Ward labels, and in the postwar years on Black & White, Capitol, and Urban.
The Johnson Victrola Museum was built in honor of Eldridge R. Johnson founder of the Victor Talking Machine Company.
In America works by Svenning and Hellström appeared on the Columbia, Edison and Victor labels and were covered by such artists as Arvid Franzen, Lydia Hedberg, Eddie Jahrl, John Lager, Ingeborg Laudon, Eric Olson, Hjalmar Peterson and Charles G. Widdén.
Talk-O-Phone produced disc phonographs (gramophones in British English) very similar to the earliest "Victor" machines of the Victor Talking Machine Company.
Between October 27, 1903 and 1906, he recorded for the Victor Talking Machine Company, and his version of "Silver Threads Among the Gold" was a hit.
In 1904, Powell became the first solo instrumentalist to record for the Victor Talking Machine Company’s celebrity artist series, Red Seal label.
Since then, the band has released upwards of twenty records, for the Columbia, Victor and BMG record labels, and have become the number one instrumental band across Japan.