At sixteen, he was offered a scholarship to study with Arnold Schoenberg, but felt so repelled by his music and the Vienna School outlook that he refused the scholarship and went to study in France.
Vienna | high school | Harvard Business School | University of Vienna | London School of Economics | Harvard Medical School | secondary school | Harvard Law School | Eastman School of Music | Juilliard School | Public school (government funded) | High School Musical | Gymnasium (school) | Yale Law School | Vienna State Opera | Rugby School | school district | high school football | public school | school | New York University School of Law | Westminster School | Tisch School of the Arts | Charterhouse School | Harrow School | University-preparatory school | Naval Postgraduate School | Glasgow School of Art | University of Michigan Law School | Manhattan School of Music |
He has had numerous exhibitions in Salzburg and Vienna; The Exhibition Postparkasse Vienna School of Fantastic Realism, First Metal Paintings influenced by Shamanic Work Exhibition in Vienna, Therapy and Shamanism workshops, A view of Transformed Realties and “Transformations” in Tullnrebach, Austria after being trained by Felicitas Goodman.
His writings include studies on Wilhelm Lehmbruck, Eugène Delacroix, Nicolas Poussin, Jan Vermeer, John Constable, Paul Cézanne, Raphael, Vincent van Gogh, Paolo Veronese, Ernst Barlach and attacks on the methodology of the "second Vienna school" of art history dominated by Hans Sedlmayr.
Hans von Hebra was the son of Czech born dermatologist Ferdinand Ritter von Hebra (1816–1880), founder of the New Vienna School of Dermatology.
He was one of the developers of the Vienna School of Textlinguistik (Department of Linguistics at the University of Vienna), and published the seminal Introduction to Text Linguistics in 1981, with Wolfgang U. Dressler.