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Village Voice critic Robert Christgau praised the album, calling it "concept album of the year".
Previously an independent technology consultant and new media developer for the Village Voice, Dash was the first employee of Six Apart, the makers of Movable Type, TypePad, and Vox, and served as its Vice President and Chief Evangelist until moving to Expert Labs.
His articles appear in national magazines which cover racism, including The American Prospect, The Chicago Reporter and the Village Voice.
Santat is also a commercial illustrator, with such clients as the Wall Street Journal, Esquire, Village Voice, GQ Russia, Macworld, Macy's, and many others.
Gary Giddins in the Village Voice calls him “one of the most distinctive guitarists to come along in recent years.” He was recently voted one of the Top Guitarists in the 2013 Critics and Readers Poll of Down Beat, and previously was elected a Rising Star in the 2004-2007 Downbeat Critics Poll.
In November 2009, the Village Voice remarked that "If they wanted to, probably, Forgetters... could be a 'supergroup'—drummer Kevin Mahon played in the first Against Me! lineup, and bassist Caroline Paquita was in Bitchin'—but mostly they keep a low profile".
He has had three films screen at the Sundance Film Festival, has had work exhibited at Art Basel, The Moscow Biennial, and the Museum of Modern Art, and his film The Subconscious Art of Graffiti Removal was named in ‘Top 10 film lists of 2002’ in both Art Forum Magazine and the Village Voice.
His 2002 book "Mambo Kingdom: Latin Music In New York" (ISBN 0825672775) contains a number of articles about the Mambo legend Tito Puente and over 200 other dance articles for the Village Voice, Latin Times, Billboard, etc.
Over the course of the years, it was also published in other printed media, such as the Spy magazine, Flagpole Magazine, the Village Voice, UTNE Reader, The Baffler, Rolling Stone, and Entertainment Weekly.
Calas arrived in New York as one of the first émigré surrealists in 1940 and ended up living there until his death in 1988, working mainly as an art critic for several leading art journals, such as View, Village Voice, Arts Magazine and Artforum.
She has taught English at New York University, the City University of New York, and the UN Language Programme and has written articles for numerous publications including New York Newsday, the San Francisco Chronicle (All the Colors of the Rainbow), the Boston Globe, and the Village Voice.
Critics such as Jay Cocks in Time, Andrew Sarris in the Village Voice, and Archer Winsten in the New York Post all praised Eastwood's directorial skills and the film, including his performance in the scenes with Walter.
This novel was featured in Publishers Weekly 'Recommended List', the Village Voice 'Real Life Rock Top Ten column, and received attention from Jonathan Yardley in The Washington Post, Richard Eder in the Los Angeles Times, and in the 'In Short' column of the 'N.Y. Sunday Times', although it got a mixed review from Michiko Kakutani in The New York Times.
Only Robert Christgau in the Village Voice praised it in public, calling it "important if not terribly good".
Starting in 2005, McPheeters has written for a variety of national magazines, including the Chicago Reader, Huffington Post, the OC Weekly, and the Village Voice.
In 2009 he finished his second album, In The Tradition, which received rave reviews from well-known jazz writer and Village Voice editor Nat Hentoff, who compared his work to Count Basie and Buck Clayton.
Sommer wrote for the Village Voice between 1980 and 1984 and worked closely with music editor Robert Christgau; according to journalist Michael Azerrad in his book Our Band Could Be Your Life, Sommer was the inspiration for the lyrics of the Sonic Youth anthem "Kill Yr Idols," in which Thurston Moore questioned his friend Sommer's respect for Christgau.
An April 2001 Village Voice review of the book says the book is "exhaustively detailed", "calmly convincing", and "light on rhetoric", warning readers that the book may induce "paranoid fatalism" about corporate manipulations.
Jeff Coplon ("In Search of a Soviet Holocaust", Village Voice, 12 January 1988);
He has published poetry, fiction, and art criticism in Zyzzyva, Fresh Men 2: New Voices in Gay Fiction, Flash Art, Artforum, nest, The Village Voice, Fillip, and Parkett.
Agnelli had been working as a rock critic for The Village Voice and Creem magazine under the pen name Trixie A. Balm.
Until 2012, Goldman Sachs owned 16% of Village Voice Media, but sold its shares soon after Nicholas Kristof of the New York Times publicized the fact and began asking them questions about its stake.