Other than his work on Batman, Chan primarily focused on non-superhero characters, staying mostly in the genres of horror, war, and swords-and-sorcery.
During this time he also frequently contributed artwork to Charlton's war and Western titles.
American Civil War | Vietnam War | American Revolutionary War | DC Comics | Cold War | Marvel Comics | Iraq War | War of 1812 | Spanish Civil War | Korean War | Allies of World War II | English Civil War | Gulf War | Franco-Prussian War | Pacific War | war | Second Boer War | Peninsular War | United States Department of War | Second Sino-Japanese War | Crimean War | Thirty Years' War | Spanish-American War | Trojan War | Dark Horse Comics | Union (American Civil War) | French and Indian War | War Office | Falklands War | Seven Years' War |
Mostly, however, Alascia worked with Charlton Comics of Derby, Connecticut, where he was teamed with Charles Nicholas (the 1921-1985 comics artist of that name) on a full gamut of crime, suspense, mystery, science fiction, war, Western, romance, and hot-rod titles, beginning with Crime and Justice #16 (Jan. 1953).
At EC Comics during the early 1950s, DeFuccio was an assistant editor and researcher on Harvey Kurtzman's war comics, Frontline Combat and Two-Fisted Tales, research that on one day involved taking a trip underwater in a submarine.