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Masques were usually staged in the Banqueting House at Whitehall Palace—but it was feared that the new Rubens murals on the ceiling there would be damaged by candle soot.
In 1731, John Montagu, 2nd Duke of Montagu, abandoned the existing grand Montagu House in the socially declining district of Bloomsbury, which was later to become the premises of the British Museum, and purchased a site that had once been occupied by the Archbishops of York's London residence and had later been part of the site of Whitehall Palace.