The painting now belongs to the Yale Center for British Art, and is on permanent display in their museum on the Yale campus.
The sole extant colour edition of this work is in the collection of the Yale Center for British Art in New Haven, Connecticut.
British | British Columbia | Yale University | British Army | Order of the British Empire | British Museum | Museum of Modern Art | World Trade Center | Art Deco | Metropolitan Museum of Art | British Empire | center | British people | British Raj | Yale | British India | University of British Columbia | Art Institute of Chicago | San Francisco Museum of Modern Art | National Gallery of Art | Honolulu Museum of Art | British Airways | Whitney Museum of American Art | British Council | Kennedy Space Center | Los Angeles County Museum of Art | British Isles | Yale Law School | British Indian Army | British Malaya |
During his long career—among much other work—Birdsall designed Penguin book covers and Pirelli calendars; he art-directed several magazines (including Nova and Mobil Oil's Pegasus; and he designed books for the Yale Center for British Art, the Tate, the V&A and the British Council and redesigned the Book of Common Prayer in 2000.
Throughout the film, Kahn visits all of his father's buildings including The Yale Center for British Art, The Salk Institute, Jatiyo Sangshad Bhaban and the Indian Institute of Management Ahmedabad.
The Gates of Paradise, 1825, object 9 Inscribed in graphite lower center: "7. One dies! Alas! the living and dead! One is slain! and one is fled! Blake's 'Key'."
Yale Center for British Art at Yale University in downtown New Haven, Connecticut, USA
Paul Mellon Collection
The centre supports a publication programme through Yale University Press and co-ordinates its activities with the sister institution, the Yale Center for British Art in New Haven.
Yale’s facilities for research and study include a university library system of nearly eleven million volumes, the Beinecke Rare Book and Manuscript Library, the Yale University Art Gallery, the Yale Center for British Art, the Office of Information Technology Services, departmental libraries and collections, and the extensive resources of the professional schools.
Thomas's wife is depicted as one of the daughters in the portrait circa 1754 of the Gravenor family by Thomas Gainsborough "John and Ann Gravenor, with their daughters" now in the Yale Center for British Art, New Haven, Conneticut, Paul Mellon Collection.