Blank & Jones | Les Blank | verse | Steve Blank | Grosse Pointe Blank | Verse (poetry) | Fear of a Blank Planet | Arthur Blank | Viva La Internet/Blank CD | Turner (verse novel) | God's Trombones: Seven Negro Sermons in Verse | Blank Slate | Blankety Blank | Blank cheque | AT&T U-Verse | Verse (popular music) | verse (poetry) | Syllabic verse | Purity of Diction in English Verse | Point-blank range | ''Point Blank'' | More Blank Than Frank/Desert Island Selection | Lily Savage's Blankety Blank | Leonine verse | Julius Blank | Joani Blank | Jessica Blank | horizontal blank interrupt | Fear of a Blank Planet (song) | Donald Davie's Some Notes on Rhythm in Verse |
Barnes' first original play was the blank verse drama Octavia Bragaldi, or, The Confession, which took the Beauchamp–Sharp Tragedy (the 1825 murder of Kentucky legislator Solomon P. Sharp by Jereboam O. Beauchamp) and set it in 15th century Milan, a popular trope of the day.
This section of the guidebook is an ode in blank verse by Wordsworth evoking the hard ascent and joyful descent of Kirkstone Pass, a high mountain pass between Ambleside and Patterdale.
The play is written in a blank verse style close to Shakespeare's original, with British spellings used in place of American English due to Lukeman's desire for continuity, which he felt could not be achieved using American English.
During this period he started his translations of Homer's Iliad and Odyssey into blank verse, and his versions (published in 1791) were the most significant English renderings of these epic poems since those of Alexander Pope earlier in the century, although later critics have faulted Cowper's Homer for being too much in the mould of John Milton.
His plays, of which Merope (1774), an adaptation in blank verse of the tragedies of Maffei and Voltaire, and Medea (1775), a melodrama, are best known, were mostly based on French originals and had considerable influence in counteracting the formlessness and irregularity of the Sturm und Drang drama.
His poem, Il Giorno (The Day, 1763), consisting of ironic instructions to a young nobleman as to the best method of spending his mornings, marked a distinct advance in Italian blank verse.
Hate that cat is a blank verse piece written by Sharon Creech and published by HarperCollins.
Amongst other things, Oxenstierna is also known for his translation into Swedish of John Milton's epic blank verse poem Paradise Lost.