The album continued to expand on the band's experimentation with Electronica, with Aborym citing influences from drum and bass, jungle, techno, classical, EBM and industrial.
The term electronic body music was coined by Ralf Hütter of the German electronic band Kraftwerk in 1978 to explain the more physical sound of their album The Man-Machine.
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Emerging in the late 1970s, the genre's early influences range from industrial music (Throbbing Gristle, Chrome, Cabaret Voltaire), European synthpunk (DAF, Liaisons Dangereuses, Portion Control), and electronic music (Kraftwerk).
Entering the Arena is the third album by the German industrial/EBM band Die Krupps.
While the primary focus is on music, covering musical genres such as gothic rock, deathrock, industrial, EBM and neofolk, other cultural and arts events have also been organised as part of the festival.
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Formed in 2000 by Nysrok Infernalien (ex-Aborym) who wanted to explore different sonorities by blending psy trance, industrial, EBM and metal, Alien Vampires was joined by Nightstalker in 2004 who also shared the same passion for Jam Montoya, BDSM and Drugs.
Other dark subcultures represented at the event include Horror Punk, Horror Rock, Halloween, Rockabilly, Psychobilly, Black metal, Steampunk, Hearse Societies, Industrial and EBM.
Fusspils 11 is the name of a German aggrotech, industrial, and EBM musical project collaboration of Ravenous and Funker Vogt members Gerrit Thomas, Jens Kaestel, Björn Böttcher, Tim Fockenbrock, Kai Schmidt, and Peggy Johanson.
Tinitus was an annual alternative music festival focusing on the sub-genres of alternative electronic music such as Industrial, EBM, Synthpop and Futurepop.